Here’s an interview with me over at The Book Depository.
Here’s another one over at Next Read.
There was another one I did recently but I can’t find it. These things tend to get a little samey anyway.
Here’s an interview with me over at The Book Depository.
Here’s another one over at Next Read.
There was another one I did recently but I can’t find it. These things tend to get a little samey anyway.
And another one with a books missing. Where the hell is my copy of Wyrms by Orson Scott Card? I think that’s probably the best book of his I’ve read.
| ORSON SCOTT CARD | ENDER’S GAME – SPEAKER FOR THE DEAD . |
| JACK L CHALKER | EXILES AT THE WELL OF SOULS QUEST FOR THE WELL OF SOULS THE RETURN OF NATHAN BRAZIL TWILIGHT AT THE WELL OF SOULS MIDNIGHT AT THE WELL OF SOULS |
| C J CHERRYH | HESTIA EXILE’S GATE THE CHRONICLES OF MORGAINE SUNFALL FORTY THOUSAND AT GEHENNA MERCHANTER’S LUCK ANGEL WITH SWORD THE FADED SUN (TRILOGY) VOYAGER IN NIGHT PORT ETERNITY THE PALADIN |
| ARTHUR C CLARKE | IMPERIAL EARTH REACH FOR TOMORROW EARTHLIGHT THE FOUNTAINS OF PARADISE CHILDHOOD’S END THE DEEP RANGE |
| HAL CLEMENT | MISSION OF GRAVITY |
| JAMES COULTRANE | TALON |
| D G COMPTON | THE CONTINUOUS KATHERINE MORTENHOE CHRONICULES |
| MICHAEL CONEY | BRONTOMEK |
Now this looks like it has possibilities — sent to me by Phil Edwards over at Live for Films. Check out Phil’s interview with the writer Mike Sizemore.

Slingers is set in the year 2960 A.D., following mankind’s first interplanetary war. Humanity is now clustered into a finite, but still vast section of the universe known as Enclosed Space. Humanity won the war with an aggressive alien enemy, but at a cost. The way back to Earth is now cut off by an impassable barrier – a side effect of the blast that finally pushed the enemy back.
With a growing feeling of disappointment I watched Sunshine last night. Certainly there were some superb effects, though with a distinctly Kubrik 2001 retro feel, but that was about all. I somewhat doubt that the crew would have been the best choice to save the entire human race, but was prepared to let that go. I couldn’t, however, sufficiently suspend disbelief to accept a fusion bomb the ‘size of Manhattan Island’ would boost the sun’s output. The sun is a massive fusion reaction and dropping such a bomb would be equivalent to boosting a fire the size of Jupiter by dropping a lit match into it.
Other problems too: a guy caught out on the shield protecting the ship from the sun is burnt up in a tsunami of fire … erm what exactly was burning? The crew also began to run out of oxygen, apparently, whilst occupying a ship whose interior seemed the equivalent to a number of Albert Halls. Then, rather than continue a story of humans vs the hostile reality of space – which really could have worked – the whole thing lapsed into an Alien aping cop-out.
Really, there was no need to have a nutter creeping around offing the crew – the groundwork had already be laid for some serious moral quandaries and killings threafter. And really, adding camera distortions on top of film taken by a cameraman apparently suffering from delirium tremens adds nothing, just makes the whole viewing process irritating.
Here was a film that couldn’t make up its mind whether it was 2001 or Alien, and ended up being neither them, nor what it could have been.
Here, some more of that contemptible sci-fi nonsense turning into reality:


On Monday 7th December Virgin Galactic unveiled SpaceShipTwo to the world at Mojave Spaceport, California. 800 press, future astronauts and VIP guests gathered in the desert for a press conference and to view the roll out of the world’s first commercial spaceline.

So, we have solar storms stirring up the sun and knocking out electrical equipment here on Earth; the MOD satellite set to watch this activity is downloading image files from the future, offering clues to future crimes or disasters; we have debates about predestination, about the consequences of tampering with the timeline; we have speculation about where this information is coming from, like via a black hole, or god, and all this is wrapped up in an exciting police procedural. But it’s not science fiction apparently, well, according to Tamzin Outhwaite:
“Initially I thought it was a sci-fi project. Then I read the script and realised it wasn’t. It’s about police officers trying to work out whether there is a worm hole between two time zones.”
Ahem, a ‘worm-hole between two time zones’, need I go on? It’s always been fairly plain that many of the good people in the acting profession are a bit thick, but this one is right up there with a certain large comedienne’s statement, during a program about ‘the 100 best books’ that she doesn’t like science fiction, thereafter listing her favourites, like 1984. SFX notes that Tamzin Outhwaite ‘joins an esteemed list of actors in abject self-denial about appearing in sci-fi’ and doubtless David Langford will have something to say about this in his next Ansible (well-worth getting by email).
From my dictionary:
Paradox 1. a seemingly absurd or self-contradictory statement…
You gotta chuckle.