Okay, from today until the end of the month The Human is on a Kindle deal for 99p in the UK.
Okay, from today until the end of the month The Human is on a Kindle deal for 99p in the UK.
It’s really great to see the reaction to Snow in the Desert in Love, Death and Robots on Netflix – brings home to me that many fans are as invested in my work as me, if not more so. When I saw it (Tim Miller sent me a link to watch it early) I initially noticed the holes, since it has been abridged to fit into the 15 minute slot. I hadn’t expected that. It has been years since I read the story, maybe decades, and I expected to feel about it as I did about the first season of Altered Carbon: couldn’t remember the story so just enjoyed the ride. But it seems that having written Snow it’s somehow imprinted on my back-brain. It took subsequent viewings for me to fully appreciate what had been done: the superb production values, the detail and the captured essence. I would still like it to be longer because certain elements of the story really needed longer to soak in. But, as ever, I go back to the dictum that no matter what film producers do with my stuff, the stuff itself will always exist in written form. And fuck: one of my short stories on the TV – available to 200+ million subscribers!
Part of the reaction to it has been from people who simply haven’t read the story, or have maybe forgotten that they had. This story has been around for a long time – written when the Polity was just starting to form out of my short stories. My recollection is vague but I do know that I wrote most of it in one long session doing about 7,000 words in one day. I’m pretty sure I did it before I wrote Gridlinked so sometime prior to 2000 – maybe the early 90s or late 80s. It was first published in 2002 and I’ve had to take a look at my website to remind me of where and when:
SNOW IN THE DESERT: (11,000 words) Snow is an albino, immortal, very dangerous, and someone wants his bollocks. Spectrum SF 8 (2002), David G Hartwell’s & Kathryn Cramer’s Year’s Best SF 8 (June 2003).
It was subsequently published in the Czech SF magazine Ikarie – maybe a year or so after this. If you want to read it, it can be found in my collection from Macmillan The Gabble.
Here are some of the comments on the TV version on the first day of airing:
Ok that was awesome, now i just want more… spatterjay series would be awesome in this quality.
Finally sat down with Love, Death and Robots S2.Totally not long enough lol. We need that animation quality and The Skinner (or Gridlinked).
Was good but too short! I also wanted to see more of the crab birds!
Bloody loved Snow! Don’t want to post any spoilers but the animation and rendering were frankly breathtaking. Waaaay to short as well. I would love to read the original story…. Is it available somewhere?
Watched “Love, Death and Robots,” (part 2) last night. Thoroughly enjoyed it! All the episodes! “Snow in the Desert”, although they’ve shortened an already short story, was excellent! Having read it before and an inside knowledge of the “Polity Universe,” enhanced the experience. Kudos!
It was amazing!
Just saw it. Enjoyed it! Great story and they did a great job putting it on the screen!
Loved it Neal, thank you
Watched it this afternoon! I can see that things were left out from the short story, but it was nicely done. I enjoyed it
Really great to see your writing up there on the screen. What a great 50th birthday present for me! I knew it would translate well, and loved seeing a peek of that familiar universe made flesh, so to speak. Onwards & upwards Neal, thank you!
Finally watched it tonight. Loved it – and there were parts where I was truly unsure I was watching CG.
Watched it all. Will watch a few more times.
Thomas Morris III
Excellent short! They did a good job on the story.
Well done mate – watched it – loved it (was there ever any doubt) – fantastic adaptation, made easier by the rich source material – your stuff looks good on the screen, Mr Asher!
Just watched Snow in the Desert. Not bad at all.
I think as a fan i was kinda predisposed to enjoy it, but fuck me that was good
Andrew Quinto Venn
Loved ‘Snow…’ but couldn’t help thinking of Monty Python’s Black Knight at one point. “Tis just a flesh wound”
Philip P Talbot
Just finished watching Snow In The Desert episode of Love, Death + Robots and was very impressed with the way it was interpreted into video form. Makes me want to watch Ian Cormac et al on the big screen…
I’d love to go get a bite someplace & something great like Snow is on the screens instead of boring sports.
I just watched Snow. Great piece.
Neal, just watched it. I loved the story! Very well done, sir!
Watched Snow, I think they did a great job, they especially captured the Asher brutality of the weapons, no Geneva Convention in the Polity it would seem with limbs being blown off etc, still it is as in the books – good job.
I enjoyed it, over too soon though. Sigh . I’ve read the story and having seen the animation, I can see why Tom Cruise thought it would make a longer film. Great animation. I wonder if it might lead to more Polity animations. I hope so.
Alan Bret Wolf
I’m planning my entire evening around this….
Making a T bone steak with Brussels…..
Sound system on
Watched it, now I have to read the story.
Michael Dirk Thalman
My pal, Neal Asher , who just happens to be one of the top sci-fi authors of our time, has a story that’s been adapted for the new season of Love, Death, and Robots.
Good on you, Neal. That’s awesome
Edited: his story/episode is Snow on the Desert
I can’t get over it, it was too awesome. More please.
Just watched it, brilliant, we must have more Asher on the screen.
Good production values too.
I hadn’t read the story, but this was great.
More! Very impressed!
That’s was a pretty good adaptation and I don’t think it takes away from the original story. Congrats, it was great!
Just finished it. Stellar as usual. For the fucking life of me I can’t figure why someone like Neflix or Amazon doesn’t pick up the Polity Universe. Like, for the love of God pick ANY book.
It’s awesome, really hope it catches some streaming exec’s eye- the Polity needs to be on screen!
Excellent series. Original content and superb Production.
Wow, just wow Watched it this morning.
Just finished watching yours.
Looking forward to see this more often Masons rats next please…. pretty please.
Yes, nailed it.
Awesome on all counts.
Jon (Sullivan – previous cover artist for my books)
Neal Snow in the Desert was fucking awesome. Congrats. At last they have noticed. Now lets hope they have the guts to take it to the next level.
Enjoy! I watched Harlan Ellison’s one too, and I’m looking forward to seeing the rest.
#snowinthedesert #polity #earthcentral Wow … found myself grinning and going oh yes… golem chassis, ceramal, golem 28 style with a Memcrystal… was hoping for an attack ship to drop its chameleon ware as its powered away from watching over…
Just watched Love,death and Robots adaptation of Snow in the Desert. Bit short but must say I was impressed. Didn’t realise they had done it but soon as I started the episode I knew it was yours.
Really enjoyed Snow In The Desert. It must be daunting to capture the atmosphere you create in your writing and all the details you add to build the world but they did a great job building the tension and told the story well given the time constraint. Looked damn cool too!
Really liked it. Good adaptation. Is it weird that Snow looked familiar?
Andrew ten Broek
Just finished watching it myself, very awesome to see how they adapted it for this series!
An excellent adaptation, if a little abridged. And like I’ve always said, animation is the only way to do justice to space opera.
Of course it was too short but I loved it.. Animation and writing team did great work..
KJ Mulder – Worlds in Ink
Finished LOVE, DEATH AND ROBOTS S2. Way too short. Not as many stories that hit the mark for me, but the 3 that did was A-M-A-Z-I-N-G! SNOW IN THE DESERT – Does
‘s universe much deserved justice. ALL THROUGH THE HOUSE – Christmas will never be the same.
It’s excellent . Just watched it and loved the look and feel of it. Think they did a good job there. You happy with it Neil?
Living on planet Swearth
Ok, that was brilliant!! So many little teases to the Polity and I wish it’d been longer! If they ever adapt more books, this would be the perfect way to do so!
what do we have to do to get it done?!?
Just watched it and wow!!!!. Did cheer when I head ‘Earth Central’ mentioned. Also the animation is fantastic, so much detail but loved it when the birds covered up during the day.
I’ve only watched Snow in the Desert so far, but it appears to me that Snow is the most realistically animated episode, and it’s featured a LOT in the trailer. I’m so happy to see that they did such a good job adapting your story.
I just watched the Snow in the Desert episode of Love Death + Robots, and it was incredible! The animation was so incredibly realistic! I thought they did an outstanding job of translating the kinetic action of a Neal Asher story to the screen. What’s next?!?!?!
Snow’s lover looked totally real. Animation was amazing.
@nealasher brilliant story again for @netflix #lovedeathandrobots2 “snow in the desert”
Binge watched the whole season. Good to see your work on the screen.
Emil van Dam
Currently watching it and it’s awesome!
M.T. Preston, Jr.
Thoroughly enjoyed it! Hopefully more to come.
I loved it. Hoping to see some more adaptations in the future.
You should, it really is decent. It may not be reinventing the wheel but as long as you know that, its an entertaining 2 hrs. And just watched Snow…the animation is quite superb. There were moments when I was questioning if they were real actors or not.
Just watched it – very impressive. It must be a thrill to see your imagination come alive on screen like that. It’s now long enough since I read it that I remembered the background (the remote desert setting) but not the detail of the plot, so could enjoy it fresh.
And more are coming in all the time. . .
I’ve been reading a lot about longevity research which, if the gatekeepers of medicine were to allow it, could turn into a biotechnology boom. There is a little bit of growth in that sector now but it is still not accepted in the mainstream. It should be. Most of the diseases we suffer from now – the main killers – are the result of the steady damage accumulated over years – dementia/Alzheimers, heart disease, cancer etc – while the drug companies search for fixes for symptoms and the quickest way to a profit. We need to fix root causes. In the last fifty years these maladies have been added to by ‘metabolic syndrome’, specifically bringing type II diabetes to that list but exacerbating the rest. An awful lot of metabolic syndrome could be eliminated by changes in lifestyle, and ignoring some incredibly bad advice from ‘medical professionals’ 40 to 50 years ago (like Ancel Keys). But in the end all is still that steady accumulation of damage.
I myself have made quite a lot of changes to my lifestyle in recent years. I quit smoking (using an ecig), I’ve reduced and would like to eliminate alcohol. I recently quit most carbohydrates and sugar and eat a close to ketogenic diet – the only reason I say ‘close to’ is because I can’t be bothered to weigh and check on the carbs in things like broccoli. I exercise a lot. I use various supplements (which I have researched), have used fasting to lose weight and increase autophagy etc and have experimented with fisetin megadosing to kill of senescent cells. I am now, I am damned certain, healthier and fitter than I was 10 to 15 years ago. But there are limits to what an individual reading up on this stuff can do and, if we are to defeat ageing, we need that biotechnology.
One upshot of all this reading is a novelette called ‘Longevity Averaging’. This is a visualization of that biotech industry in the near future, and what treatments it might use. This also covers some of the social issues involved – the title concerning state pensions. It is now published in the May/June issue of Analog Science fiction and Fact.
During subsequent exchanges I learned that he was the boss of Blur Studios in Venice California. Hollywood baby! He roped me into a ‘Heavy Metal’ project. This was basically something of a similar format to Love, Death and Robots that had been done before, though I had never heard of it. Tim asked me if I had any short stories. After my reply, and the huge attachment, he selected quite a number of stories. He also had me write some more for the project. For example one request was, ‘Could you do a orcs and elves battle based on Rorke’s Drift?’ which I provided. Another of the stories was Snow in the Desert (bottom left now in the image below).
This project was to be sold to Paramount, but there was some sort of parting of the ways. It then got hawked around for a while, but eventually died. Apparently it was shown to Tom Cruise, who said that Snow in the Desert would make a good film just by itself. In the end Paramount bought idea of the project without the stories, so that was the end of that.
Tim Miller then moved up in the world, directing Dead Pool. He then got the possibly tainted chalice of directing a new Terminator film. I got roped into that too as an advisor, along with others like Greg Bear, Neil Stephenson and Joe Abercrombie. Flight out to LA and meetings in a room around a glass-topped table mounted on a horizontally-sliced aeroplane wing at Skydance. James Cameron sitting across the way laying out what he thought he wanted. All quite ego boosting, though I didn’t appreciate it at the time since I was suffering from horrible anxiety.
The new Terminator film tanked. The reality, I think, is that people are tired of endless remakes and franchise extensions. I certainly am and I was then, but this did not impinge on my ‘take the money and run’ attitude.
Tim Miller returned to another project he had also been working on throughout this and that was Love, Death & Robots. He wanted to use the stories he had from me in the first season, but overly cautious lawyers advised against that, since even though unpurchased by Paramount it seemed, since they took the idea of Heavy Metal, they might have some claim on them. This thankfully was resolved for season 2 and now you get to see Snow in the Desert on Love, Death and Robots.
I don’t know what to expect. My only input was the story and those directing it have doubtless put their stamp on it and made changes. Maybe I won’t like it. I’ll find out soon since soon I will be getting to see it. But my attitude is still ‘take the money and run’ along with the knowledge that no matter what is done with one of my stories, the story itself will always exist in its original form. This may also work to boost my other sales, since Netflix as over 200 million subscribers.
Onward and upward!
“Snick, snick” “Whirrrrr” “Brrrrp” “Grrrr, grrrr, grrr.” Not sounds from a Neal Asher story that grabs you by the throat. It’s me cutting my mother’s hair, while she growls with each breath like a grey panther, a residual effect of the intubation that scarred her trachae during her last ICU staycation. Tufts of white hair litter the floor while I work my craft. I’m thinking pink highlights. Mom says she doesn’t care, doesn’t have to look at it. She used to, back in the salon days, when she would climb two flights up the rattling spiral stair from the main street where humanity flows the wrong way. She was 90 then and wanted the right cut. At 80 she had cataract surgery, one lens fixed in the distant past, the other near-time. They are both hazy now, resulting in occasional fights with vaguely described “people”. A year ago in the ICU, while she had half a dozen tubes in her, she came to fisticuffs with the neighbouring patient and her husband. I asked her who won – she thought for a bit and sadly said, I think I lost.
I put up a bio on Neal’s blog (https://www.nealasher.co.uk/2017/08/) in August 2017’s “Who Reads My Books” post. It lays out the arc of my life and literary interests, at least till 2017, when I was still traveling and photographing the world, working part-time,and exercising intensely. This is an update, so I will try not to repeat myself, except for the basics. I am 69, a trained physicist and retired engineer. I had retired at 60 to avoid being transferred back from Bangalore, where my mom and dad lived with me, to my base in Houston, Texas. I watched over my dad for the last five of his seventeen-year spiral into the black hole of Alzheimer’s. His body was army-strong, his brain was swiss cheese as he Benjamin-Buttoned his way back to a zygote. And now my mom, nine years later, is diminishing rapidly. I am their only child, so all arguments about their care were with myself.I had not lived with my parents since the age of ten, when I went to a Jesuit-run boarding school for boys, though I visited home for the longer holidays.Hiding out in the library from the sports-mad padre’s, I found both fiction and my interest in science. I enjoy my own company and always dreamt of an unbounded life. No long-term plan I have ever made, nor scenarios for which I have prepared, have ever worked; but acquiring plenty of resources and developing flexibility has served me well.
Coming back to India after 40 years away was not a pleasure, but an unregretted necessity. You can never go home. Not when the country you left uncrowded and free has nearly quadrupled in density. Demographic dividend? Bah, humbug. You don’t get that just by reproducing or looking at per capita GDP. You need good governance, good nutrition and affordable education for the masses, infrastructure, and capital. The quality of life sucks, as does the air. It is a land of dust, which turns to mud for the monsoon. But the young, they don’t know it. They do know they want a new smart phone and a scooter. And if they can’t find a job, they can steal. Or better yet join the bureaucracy through our brilliant quota system.
What’s changed since 2017? I run a single patient old-age home. Full-time, no breaks anymore. In Bangalore, India. This has put a stop to my greatest pleasure, travel to new, far-off places. It has also curbed a few more pleasures, the most important being old, retired and having fuck-all to do. Goodbye leisure. My maximum attention span lasts 30 minutes, after which there is something I must do. Remember having toddlers? I never did, but I imagine it is remarkably similar, except your mom and dad won’t grow up and leave the house. And possibly return to bug you when you are old.
Why Bangalore? It is cruel to move old folks across the world at the fag-end of their lives. And healthcare is unaffordable for foreigners in the U.S.A. While she is uninsurable in India too, I can afford my mom’s care here, and hire people to help at home. However, this is not a good place for an introverted self-contained and self-reliant person (me) to live. And having help in India comes at a huge unforeseen cost, not entirely expressible in rupees. Every person you hire has a large and extended family. Ask a friendly question and you find yourself paying for someone’s brother’s college education. Or air-con. Or operation(s). Not the way it worked in the U.S. when I hired help.
So now, I travel through e-space searching out new music, research in science, history, biology, health, fitness and longevity, archaeology, physics and whatever else is new and not connected with current events, politics, and people trying to give me life-lessons. The roads are beyond awful and the blind may drive here, but the internet connectivity is great. Netflix, Amazon Prime Video and an Indian service that consolidates several other content providers are all accessible.
Like Neal, I’m encouraged enough by longevity research to expect that I will have a long health-span with my focus on nutrition, exercise and supplements that fight senescence. I will optimistically gloss over the genetic aspects. Just before India’s corona-shutdown in March 2020, I managed to achieve my lifetime best inclined bench press (2 seven-rep sets at 100 kg), not bad for someone 68 years old, 5 ½ ft tall and 70 kg. Someday I will be back in the gym and do better. I will get back my guitar skills, regenerate my knees and ski again, overcome my panic attacks and scuba again. Nah, scratch the last two.
And, of course, there is reading. Late at night, mom’s asleep, I can light up the Kindle and open to where I left the last Asher sci-fi mind-blaster, or a graphic novel by Jodorowski, or the latest Phillip Pullman. I don’t read a lot anymore, but I always look forward to short science fiction (Azimov’s, SF&F magazine) and my favourite few authors. The best voyages are of the mind.
Just me – around the time of Spatterjay
Hi! My name is Götz, and, yes, I know, this is a complicated name. Why I love the books by Neal Asher? They are intricately woven (just like the technology of the Atheter), address a variety of interesting scientific topics without ever pushing them before the storytelling, and are plainly always great fun to read – especially stories about the drones. Or about Spaterjay. Or about … you know.
Myself I am a Physicist from Regensburg deep in the south of Germany. Up to very recently I worked in a big global, Japanese-led company, being responsible for research and development in Europe, working my way through numerous projects and meetings with people from 25 nations on board (literally), and loved it. Got my fair bit of travelling around the world, but sometimes a bit too much travelling, so after twenty years I recently decided to switch my professional career over and became a Professor at a German Technical University, working with young people and driving new technology.
My favorite place for beer-and-smoke when abroad
Which hopefully gives me a bit more time for my family (wife and daughter; the cat recently died).
And for reading – there are some unread books even by Neal Asher. And for my other hobbies, like making music. Or some occasional sky diving (every birthday I get thrown out of a plane by my loving – and grinning – wife Annemarie). But especially writing, since this is something I have done since I was about 14.
Writing … at least trying to write
For me, it is purely by-the-side-profession; I do mostly Science-Fiction shorts and storylines for Perry Rhodan (the biggest and oldest SF-series in the world) or articles about science topics (and two books, you can google up if you like). And that’s why I came in contact with Neal Asher in his manifestation as a “internet-person”. He is really, really good in digging up interesting science stuff.
And then he puts this stuff into his fantastic books. It is a big part of the magic of his books.
Me – waiting for the next book to arrive
And even in his most dystopian scenarios (looking at you, Jain), there is hope, there is the drive to find a way out and to somehow create a good future. There is curiosity, all the way to the drones. I think, curiosity brought me to Science Fiction, and Science Fiction to Physics, and both let me really enjoy the books of Neal Asher!
Jonathon reads my books. I swiped the below from his website here, where you can read the rest of the biography below:
This is a little background about my life and how I became a writer. I was born and brought up near Stockport, England. I grew up with science fiction, right from sitting on my Dad’s knee watching Doctor Who starring Tom Baker in the seventies. I was a huge fan of Star Wars (I still have my collection) and also loved Blake’s 7, Space 1999, Knight Rider, Star Trek… If it was vaguely sci-fi related, I watched it. I guess it’s the complete fantasy that appealed to me. I would spend hours in my bedroom making Lego models of Airwolf or Daleks and acting out scenes with them.
In science fiction there are no boundaries to your imagination. You can create whole worlds, even galaxies, far, far away. I always loved a great sci-fi gadget, spacecraft or weapon; from a lightsaber to the drop-ship in Aliens, or a Martian tripod war machine. I used to make models of things that I liked out of cardboard cereal packets and loo rolls when I was younger and I guess that’s where my model making career sprouted from. After studying Art & Design at school, I went on to complete a Foundation course in Art at Stockport College and then opted for a degree in Media Production.
I’ve been working on the #SpaceNavy universe on and off since I started my degree (Media Production including Animation BA/Hons) in 1992 at the University of Northumbria in Newcastle-Upon-Tyne, U.K. I first started working on the story ideas for the Unity story arc when I was in my first year and I still have my big red sketch book with my original scrawled ideas and drawings inside. I would doodle the designs for spaceships, aliens, robots and so on. Some of those designs have even made it onto the covers of my books. I always knew I would do something with them, I just didn’t know what at the time.
It was when I was undertaking the degree that I discovered a magical thing called a “film script”. I didn’t actually take the script writing course, but a lot of my best friends did and I picked up a great deal from them, especially Paul Bird and Mark Collins. I worked on several other student films, mostly creating sets, props and various effects. Then I decided that I wanted to make my own sci-fi epic, called “Unity”! . . .
Alas poor Tony Stark, I knew him well.
Who reads your books? Well I do, Neal. I was born just before JFK took that fateful trip past the grassy knoll in Texas. I’m Geordie of origin but have lived nearly all my life in the Lucky Country, Brisbane Australia, my parents being 10 pound poms. I am so grateful for them for having the guts to pack their meagre belongings and kids and sail half way around the world to who knew what. I began my love of books at the age of 10 when our library teacher read a passage from The Lion the Witch and the Wardrobe. After the lesson I immediately sought out that book and read it cover to cover, and so began my love of reading. I recall devouring The Alfred Hitchcock Three Investigator series of books as a young lad and as I grew older then discovering horror, with Stephen King and Dean R Koontz being my main diet. I also discovered pot and Michael Moorcock around the same time and then broadened to anything from James Clavell through to Wilbur Smith. I somehow ended up doing apprenticeship and became a carpenter after leaving school and did all manner of work from constructing high rise buildings to building lobster tanks for restaurants.
Stop over in Greece 1964 Mum and me.
I eventually grew bored of this and joined the Air force in my early thirties and after a few years got an all expenses paid trip to the Arabian Peninsular. It was some time around here in the Air force that I stopped reading books. I think this was due to me living on base and the rise of the internet and online gaming, which I embraced. Moving on 5 yrs or so, after getting married and leaving the air force to work as a civvie, one day someone left a copy of Alistair Reynolds Chasm City in the lunchroom, I took it home and decided to read it and that was it, I was back in the reading groove. I read all of Reynolds books and was blown away by them and then was looking for something new. At the time, much to the disgust of the wife, I had embraced and was obsessed with home brewing beer to the point of winning a state title and a trip to America. I was on a home brew website one day browsing the off topic thread where someone had asked for a good read and someone else replied The Skinner by Neal Asher, I googled it and saw this awesome blue skinned, evil, bizarre looking monster and thought “That’s for me” I got it and was totally blown away by the world of Spatterjay and the flora and fauna ecosystems Neal had created. I read all his works and alternated between him, Reynolds and then discovered the brilliant Reality Dysfunction by Hamilton to keep me reading between Neal’s releases. Then one day not too long ago, knock me down with a feather! I discovered he would actually talk to his readers on his Facebook page, I was totally blown away and embraced it and hope I don’t annoy him too much. I’ve recently reread the Cormac series, just finished Lockdown Tales and am currently on Owning the future.
The Family at Stradbroke Island about 1hrs drive and 40 min ferry trip from home.
I love listening to Pink Floyd, playing a bit of bass and am building a full sized 3D printed Mark 85 Iron Man suit just for something different (I love Iron Man). I have two boys, 15 and 13 and they keep me more busy than I like, driving them to various sports and sports training just about every day of the week. Oh well, as they say, there is no rest for the wicked.
Hi Neal! I don’t know if you’ve got enough ‘Who Reads My Books’ fodder, but I thought I might add my humble blurb to the pile. I won’t be offended if I don’t ‘make the cut’ – I mostly just wanted to say thanks for all the books!
Apologies for the grammar…
My name is Dean Edis (43) and I come from Cambridge in the UK, living with my wife, two kids, and two cats. My ‘Asher’ journey started an eternity ago with ‘Gridlinked’ and I _think_ I’ve read every book he’s published since then. To avoid sounding too stalker-y I should point out I also enjoy reading Richard Morgan, Ian M Banks, and most recently R. R. Haywood.
I’m currently re-re-reading The Owner series – An awesome trilogy and worth looking at if you haven’t already!
My day job is a software developer (mostly C#/C++), so the COVID lockdown thankfully hasn’t affected me too much. As such I’ve had years of training to enjoy my own company and being a bit socially awkward. Still, after nearly a year it is getting a bit tiresome…
In my spare time I alternate between rebuilding an old Sinclair C5, making a near full-size Arduino-powered BB8 robot, and writing GPU-powered ‘shaders’. These ‘shaders’ are written in entirely in computer code from the ground-up, not requiring any 3D models or art packages, and with a clever application of vector math and algebra you can make some pretty cool scenes which run in ‘real time’ on even a modest PC.
Right – I’m going back to ready a bit more ‘Zero Point’ now. I’m juuust getting to the finale…
Thanks for reading!