Loony Tunes

Bloody hell, it’s pouring out of me. It’s 3.25PM as I write this and I’ve done my 2,000 words despite having taken an 8-mile cycle ride and despite twittering like a canary. I think this might be due to the constraints I had to write under with The Departure, Zero Point and Jupiter War. In those books I was writing about the near future and necessarily had to limit myself to technology that was a few steps back from A C Clarke’s Any sufficiently advanced technology is indistinguishable from magic. Further constraints of course kicked in with the later books because they had to relate to the previous ones. The whole story was set in our solar system too so I couldn’t let myself go with weird ecologies nor could I march in any acid-spitting monsters, or creatures with multiple stages of life, or giant tentacled fish.

Now it’s different. Now I have the feeling I experienced most with The Skinner, in varying degrees throughout the other books (the next one I felt it most being Brass man). That feeling is fuck it, I want to get really weird, I don’t want constraints, I’m going stick down every bizarre idea that comes to me, run with it and try to weave it all together. This is why Tuppence, Dr Whip and Harriet are now on the scene. These are, respectively, the captain of an ancient prador cargo-hauler who we see in avatar form but who is also something … monstrous; a pale tall doctor who was once adjusted by Penny Royal and who never takes off his sunglasses; and an exotic dancer who has transformed herself into a troodon dinosaur, and likes eating people.

Feeling a bit loony today.

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