Category: Articles

Who Reads My Books: Todd Sanders.

Posted on by Neal Asher

Hi Neal,

I thought I’d take a few minutes to send over my library photos and a brief bio for your blog. It’s hard to stand back far enough in my library to take full photos of each wall so excuse the slightly pieced together shots. My modest library has a little over 3000 books in it at this time. It is a mix of about half science fiction/fantasy with the other half comprising French literature and poetry (original and in translation), other fiction/literature and poetry from around the world, a library of books on ancient board games and a large collection of research books on surrealism. I also have a large collection of first edition French works of literature in translation and maintain several sites about French writing.

westwall.jpg – my collection of french first editions and other rare books in barrister shelves.

eastwall.jpg – most of my science fiction collection including a complete edition of ace ‘doubles’ science fiction paperbacks from the 50’s to 80’s [all the ones with the blue and white striped covers]. William Burroughs first book ‘Junkie’ was actually a detective ace double. Your books are sandwiched there between Poul Anderson and Issac Asimov.

southwall.jpg – most of the fiction/literature/poetry in my collection as well as my surrealism reference books and books on ancient board games.

asher1.jpg and asher2.jpg show the ubiquitous asher titles in paperback and hardcover

The brief bio:

I live in pittsburgh, here in the US, where I wear many work hats. Originally I trained as an architect, but I am now a graphic designer, book publisher, artist and furniture designer. I have a small press – http://www.aanpress.com/ – which publishes my translations of surrealist poetry along with other one of a kind artist books I create. My furniture can be found over at http://www.locusgraphic.com/woodworking.

I’ve recently started designing board and card games, often with steampunk themes, influenced by Neal’s writing as well as Karl Schroeder, Steph Swainston, Alastair Reynolds and Benjamin Rosenbaum.

I have been reading and collecting books of all sorts all my life. My love for science fiction started at age 10 when I read ‘Star Boy’ by Andre Norton. I tend to prefer hardcovers and would never buy an e-reader unless really really forced to. I have an excellent bookdealer here in the city who finds me many of the gems I now own.

I’ve begun in the last few years creating artist books using the short stories of such authors as mary Robinette Kowal, Ben Rosenbaum, Ted Chiang and others, creating the book as an artifact of the world of the stories, and I am currently looking for a good Neal Asher one to use.

And yes, I’ve read every book in my library.

Thanks as always for the books you write.

Todd Sanders
 

Sea of Ghosts — Alan Campbell

Posted on by Neal Asher

The sea bottles are bubbling away under the sea, each seemingly a gateway into another world, steadily raising the sea levels with brine whose touch will turn your skin to shark skin. The artefacts of a recently fallen alchemic and magical dictatorship lie under the poisonous waters for anyone brave enough, or insane enough to retrieve them. Steamships and sorcerous weapons abound, along with other fascinating devices in a steam/punk/fantasy world. Dragons are addicted to what can only be described as post human food. A madman conjectures about quantum physics and sorcery sources…

Sea of Ghosts is wonderful meaty stuff from Mr Campbell again – he’s a true original. When I read Scar Night I felt the same: fascinated by the ideas, by fantasy that’s stepped well away from the norm, and by the nuts and bolts of his world. I’m not highly interested in labels, but if you want to read something that definitely isn’t a Tolkien clone or even a close relative, something that engages you from page one and never lets go, this is for you.

Over on his blog last September Alan tells us:

Today I noticed that “Sea of Ghosts” is available for pre-order on the interweb. This is the first in a new fantasy series, which I’ve had the luxury of planning in advance. I have actually finished writing it, but it’s not available until April next year, so you’d have to be utterly mad to order it now. The story begins with a man compelled to imprison his own family, and then head off on a high-seas adventure, dipping a toe into dragon territory, with a quick nod to Nikola Tesla. The wonderful cover art is by Larry Rostant.

Queensland Floods.

Posted on by Neal Asher

Because, apparently, Australia would be subject to increasing global warming drought, damming projects in Queensland were shelved and desalination plants built instead (now mothballed). This is a matter of record and a source of anger for many residents there. Also, it’s not a great idea to build on flood plains. However, the usual suspects are claiming this one for ‘catastrophic climate change’ and, as is usual, their grasp of history is about as firm as chocolate pliers.

1841
17th January: Highest flood on record, occurred at Brisbane and Ipswich.

1844
10th January: Heavy floods at Ipswich.

1845
17th December: Flood at Ipswich.

1852
11th April: Heavy floods at Brisbane and Ipswich.

1857
19th and 20th May: Great floods at Ipswich and Brisbane; river at Ipswich rose 45 feet, and at Brisbane 12 feet.

The above is just a small sample. If you go and check here at ‘Queensland Flood History’ you’ll discover enough to boggle the mind. This has fuck all to do with ‘catastrophic climate change’.

The Technician — Review

Posted on by Neal Asher

Nice review of The Technician here. Interesting in that it is from someone who is fairly new to my books:

As a relative newcomer to the Polity universe, with this only being my second Asher book, I wasn’t sure how well I’d be able to follow the story. I was in for a pleasant surprise. Although the story does take a while to get started and I struggled a little with the technology of it, I thoroughly enjoyed the read.


Audio Books

Posted on by Neal Asher

They’re not up yet. I’m told:
                  

I’m sorry to say that although we planned that your series would be live tomorrow it appears there was some glitch in the upload on the US side. We have tagged this as ‘urgent’ for them, and they have promised to try and get it live by Friday. As soon as we release it we will promote it in all our social media channels. Also, if you’d like, we can provide a trackable link to the product page for the series for your blog.

In further news, look who’s narrated the three books: William Gaminara.

Before joining the cast of Silent Witness, William’s last major role was as Will in the dot com drama Attachments.

His other TV credits include The Law, People Like Us, Hope and Glory, and Dangerfield.

William played Dr. Richard Locke in the BBC Radio 4 drama The Archers. He previously starred as Casualty’s Dr Andrew Bower between 1989 and 1992, a character that returned in 2000 with Philip Bretherton in the role. William’s also played a doctor in The Bill.

As well as acting, William is an accomplished writer. His work includes episodes of This Life and The Lakes, and he recently adapted Ella and the Mothers for TV from Rachel Morris’ novel.

Orbus etc.

Posted on by Neal Asher

Here’s a nice commentary:

Neal Asher is another of those British writers of far future high tech space opera, like Iain M Banks, Ken Macleod, Alistair Reynolds, & Charles Stross (about whom I hope to write later). He’s constructed a particularly interesting & nasty future history of a distant & much changed humanity & what it meets in the far reaches of the universe. In his various novels, the star spanning Human Polity, run by massively intelligent AIs, has met an enemy species, the Prador, who apparently look a bit like huge & armoured crabs or lobsters. Asher has written a number of novels about the Polity Agent, Cormac, a few about other aspects of the Polity, & 3 about the effects of the planet Spatterjay & a peculiar genetic virus found there (which affects both humans & Prador). Although the Polity & the Third Kingdom of the Prador have ended a long war between them, there are still lots of border battles & lots of spying, etc, all of which come into play in Orbus.

And I can’t remember if I linked to Alex Cull’s review of Orbus. I particularly like the last comment:

As you have probably realised by now, I had a lot of fun reading this novel; and yes, I’m rather a fan of Neal Asher’s books, generally. Orbus isn’t The Catcher in the Rye, or Anna Karenina, but then it never sets out to be. There are indeed days when I prefer to read something like Anna Karenina. And there are other days, mostly after having done my level best to help prop up this country’s ailing economy for another twenty-four hours, when what I really, really want to read about – and nothing else will do – is aliens trying to murder one another with absurdly powerful military hardware.

The Voyage of the Dawn Treader

Posted on by Neal Asher

You can probably guess the impression the book of this made upon me when you consider the name of Ambel’s ship in The Skinner. I called it the Treader, because that seemed like a good name for a somewhat weird ship undergoing a weird journey and, remember, Ambel’s ship even had a talking animal aboard…

However, if we are to judge by the way the last two books have been portrayed in film, I was missing the somewhat unsubtle message and the indoctrination bounced off my thick skin. When I read the books as a youngster I enjoyed the magic, swords, talking animals and not for one second did I think that I had ‘nothing without belief’ or that I had to ‘have faith’, nor did I notice that in our reality Aslan went under a different name. Even then I was realizing that suspension of disbelief was what I wanted, between the covers of a book.

The film was visually gorgeous and I would have enjoyed it immensely but for those two comments above dropped in like a roast pig in a mosque. From the first of them it lost me and I was sitting there with a bit of a sneer on my face, which became more pronounced at the end with all that Aslan’s kingdom nonsense.

Where the books so unsubtle? I don’t remember, maybe because as a youngster, having been brought up in an agnostic then firmly atheist household, I was making no connections at all. If they were then I find it surprising that my mother, a school teacher, used to read them to the kids at her school. One would suppose that they were, since in his other works C. S. Lewis was loudly banging his tambourine and arguing for belief, for faith. Or is it the case that those making these films too firmly bought into the idea of the Narnia books as a Christian allegory?

Where the books this loaded with doctrinal cudgels? Or were the products of this member of the Inklings not quite so consciously didactic? I don’t remember being quite so annoyed by the first film, The Lion, the Witch & the Wardrobe. Different directors, producers?