Tag: Books

Who Reads My Books? Bob Lock.

Posted on by Neal Asher

Hi, my name’s Bob Lock and I’m an alcoholic… oh wait, wrong forum!
Umm… hi, my name’s Bob Lock and I’m an Asherholic…
I first stumbled onto SF in the mid 60s when I was fifteen and left school to work as an office boy in Wm.Hancock & Sons in Swansea, a brewery. One of the guys in the office was an avid fan and he loaned me a copy of Alfred Bester’s ‘The Stars My Destination’ I read it in one go, and so, a new SF fan was born.
I worked for the brewery until meeting my wife Anna, who is Italian, and once married we decided to go over to Italy and try and make a life for ourselves there. I taught English as a second language in two private schools and then was offered a job by a large foundry as an assistant to the director, translator and general dog’s body. About four years later, with all our savings spent, we decided to return to the UK (holidaying in Italy is vastly different from trying to make a living out there with a wife and two kids!) Back in the UK I managed to return to the brewery (which was now Bass) and worked my way up to technician in both the beer and soft drinks side.
I retired early some years ago and started writing in earnest (in English would have been better, but whatcha gonna do?) Some of my short stories were taken up by a few online e-zines. A couple of text adventure games I wrote were fairly successful and finally I had a short of mine published in a horror anthology called Cold Cuts which was edited and put together by Steve Lockley and Paul Lewis, two Welsh writers who’ve had numerous works published including some Dr Who stuff.
In 2007 my debut dark SF/F/Horror novel ‘Flames of Herakleitos’ was published by Screamingdreams Publishing and I was fortunate enough to have Neal read a copy and he allowed me to use some of his comments on the back cover (I only used the ones where he praised the story and left out the rest…)
2008 saw a short of mine in Nemonymous 8 – Cone Zero, called The Cone Zero Ultimatum, receive a lot of praise and I have to admit it’s one of my favourite stories.
2009 I was also published in Nemomymous 9 – Cern Zoo (I can’t say which story is mine yet as all Nemomymous authors remain anonymous until the next edition is released.) This is a ground-breaking idea put into practise by the publisher D.F.Lewis (who is also well known for his own novels and stories)
2009 also saw a SF novella of mine called A Cloud Of Madness published and this is available through Amazon.Com only, at the moment.
2009 I surprised myself by writing a zombie novella called ‘They Feed On Flesh’ for the NaNoWriMo competition to write 50,000 + words in a month. I’m a very slow writer so 50,893 words in 30 days is a big deal for me!
2010 will see the publication of an Urban Fantasy novella of mine by Screamingdreams and that will be called ‘The Empathy Effect’
2010 I hope to finish the sequel to ‘Flames of Herakleitos’ (working on it now) and that will be called ‘They Made Monsters.’
Neal’s writing ticks all the boxes for me, even his blog is a delight to read and I don’t think any fan could find a more helpful and accessible writer than him.
And , that’s all folks!
http://bob-lock.blogspot.com/
http://www.myspace.com/bob_lock
www.celt.org.uk
www.flamesofherakleitos.com

Ebook Thoughts.

Posted on by Neal Asher

I’m just thinking about this; throwing a few ideas about. I don’t know, so don’t assume I really know what I’m talking about, though I’m pretty sure that many in the industry don’t know what’s going to happen either.
I’ve been reading up on this row between Macmillan and Amazon about ebooks, but now want to step back and consider what it all means. The ebook market is going to grow, every time someone buys a Kindle or an Ipad or any other the other readers out there, that’s a dead tree customer gone. This is not like the fight between Betamax and VHS, since with them the information, the entertainment, was a physical product that wasn’t interchangeable. The makers of these readers will try (using stuff like DRM), initially, to corner the market for their e-reader, but it is a losing battle. The more restrictions put on ebooks sold or what e-readers will accept, the more piracy and the more likely people will buy product with less restrictions. By making restrictions publishers and e-book manufacturers will lose market share. The eventual winners will be the e-readers that will accept any ebook and the ebooks that can be loaded to any e-reader. Piracy will be easy and rife. Publishers will have to accept that to sell ebooks they’ll need to reduce the price, because high prices will push customers towards piracy. So what does all this mean to me, the writer?
Things are going to change, and drastically. The market for paper books will continue to survive, hopefully until I’ve shuffled off my mortal coil, but it’s going to get smaller and smaller. Hopefully people will still want to read my books. This is what I must think. Books as we know them are just the medium through which the story I tell goes from my mind to yours. Even if that medium changes, I have to presume that you still want that story.
I wonder about the shape of a future market. Maybe the book publisher as we know it is going to die. Maybe a writer will publish his book on the Internet, without much in the way of middlemen, incidentally taking a larger cut of the cover price than present paltry royalties, which will be necessary to cover the losses through piracy. After a book has sold well on the Internet, has been proven as a product, that’s where the dead tree publishers step in. People will read many ebooks, and some they will decide are keepers.
Maybe.
Another scenario I see is the end of writers being able to make a living through writing books. If the main source of books is the Internet, without the middle men, where is the guarantee of quality? How is anyone going to be able to sort the wheat from the truckloads of chaff? A dead tree book you pick up in a bookshop has gone through a process, the first part being people in the publishing industry looking at the typescript and deciding they are prepared to risk spending thousands of pounds to get that book into print. (For those who say that publishers produce a lot of crap, let me give you a wake-up call: for every Daniel Steel or Jeffrey Archer book you sneer at, please remember that the publisher has rejected skiploads of the most appalling drivel you can imagine.) There’s your guarantee.
Perhaps the guarantee will be simply through sales, electronic bestseller lists, trusted reviewing. Even publishers admit that word-of-mouth is the best advertising available and, once the middlemen are out of the way, this would be the ultimate in word-of-mouth. Let’s face it, despite the ‘is this going to make us money guarantee’ publishers still quite often get it very wrong. How many publishers rejected the Harry Potter books?
What do you think?

Macmillan/Amazon Row

Posted on by Neal Asher

I think this concerns Amazon.com only, since my books are still available through Amazon.co.uk. You can find more about it over on John Scalzi’s Whatever.

To: All Macmillan authors/illustrators and the literary agent community
From: John Sargent

This past Thursday I met with Amazon in Seattle. I gave them our proposal for new terms of sale for e books under the agency model which will become effective in early March. In addition, I told them they could stay with their old terms of sale, but that this would involve extensive and deep windowing of titles. By the time I arrived back in New York late yesterday afternoon they informed me that they were taking all our books off the Kindle site, and off Amazon. The books will continue to be available on Amazon.com through third parties.

I regret that we have reached this impasse. Amazon has been a valuable customer for a long time, and it is my great hope that they will continue to be in the very near future. They have been a great innovator in our industry, and I suspect they will continue to be for decades to come.

It is those decades that concern me now, as I am sure they concern you. In the ink-on-paper world we sell books to retailers far and wide on a business model that provides a level playing field, and allows all retailers the possibility of selling books profitably. Looking to the future and to a growing digital business, we need to establish the same sort of business model, one that encourages new devices and new stores. One that encourages healthy competition. One that is stable and rational. It also needs to insure that intellectual property can be widely available digitally at a price that is both fair to the consumer and allows those who create it and publish it to be fairly compensated.

Under the agency model, we will sell the digital editions of our books to consumers through our retailers. Our retailers will act as our agents and will take a 30% commission (the standard split today for many digital media businesses). The price will be set the price for each book individually. Our plan is to price the digital edition of most adult trade books in a price range from $14.99 to $5.99. At first release, concurrent with a hardcover, most titles will be priced between $14.99 and $12.99. E books will almost always appear day on date with the physical edition. Pricing will be dynamic over time.

The agency model would allow Amazon to make more money selling our books, not less. We would make less money in our dealings with Amazon under the new model. Our disagreement is not about short-term profitability but rather about the long-term viability and stability of the digital book market.

Amazon and Macmillan both want a healthy and vibrant future for books. We clearly do not agree on how to get there. Meanwhile, the action they chose to take last night clearly defines the importance they attribute to their view. We hold our view equally strongly. I hope you agree with us.

You are a vast and wonderful crew. It is impossible to reach you all in the very limited timeframe we are working under, so I have sent this message in unorthodox form. I hope it reaches you all, and quickly. Monday morning I will fully brief all of our editors, and they will be able to answer your questions. I hope to speak to many of you over the coming days.

Thanks for all the support you have shown in the last few hours; it is much appreciated.

All best,
John

We’re going to see more of this sort of stuff as companies try to corner the Ebook market, but the amusing thing is that there won’t be any cornering, or at least not for long, since this is not a fight between the producers of Betamax and VHS. That aside, again, US book buyers, you can get my books through The Book Depository. They ship for free and are offering some big discounts on there. I just bought New Moon & Eclipse for a total of £6.90.
 

Twilight — Stephenie Meyer.

Posted on by Neal Asher

Okay, putting myself in danger here of undermining my tough guy SFnal street cred, I have to say I really enjoyed this book. I polished it off in one day (having completed American Gods that morning) and it wasn’t boring, my attention didn’t wander, I didn’t skip anything and I became thoroughly absorbed, so much so it felt like I was watching the film again. This is because Meyer’s writing is transparent and allowed the characters and story to shine through – what you’ll find in many popular best selling books (ones that very often get sneered at by the literarti). No writerly ego here trying to display ‘literary brilliance’ and jostle the story into second place  Another thing to note is how true to the book was the film. Everything in the book seemed to be up there on the screen. That transparency again – I’m guessing that writing the film script was just an exercise in precis. Thoroughly recommended.  

Who Reads My Books? Paul Mackay

Posted on by Neal Asher

Hi Neal

I read your books!

I am a 39yr old nurse, working in a prison in the North of England. I did my nurse training some 20 years ago and have worked in loads of places all over the country and also in the oilfields of Saudi Arabia and I did some aid work in Lebanon in the 1990s. I even managed health insurance for BUPA in one of their call centres and that really was as bad as it sounds.

I enjoy amateur astronomy and I belong to the York Astronomical Society. Indeed I write Sci-Fi reviews for our quarterly magazine Algol and always stick in a review of the latest Asher. (I think I was a bit hard on Peter F Hamilton once, moaning that it takes him 3 pages to describe a kitchen tap or something)

I also like the Steampunk aesthetic and I make jewellery in that style which I like to flog at craft fairs and to friends.

There is some good Steampunk fiction around, particularly Jay Lake’s books Mainspring and Escapement.

I first started reading Sci Fi at about 12 years old with Star Wars and Battlestar Galactica ‘TV tie-ins’ as they were called back then, and when I ran out of them, I started on the better stuff, mostly Roger Zelazny, Philip K Dick, E.E ‘Doc’ Smith and Robert Heinlein (dead misogynist and pseudo spouter of new-age claptrap that he was). Never could get into Asimov.

I prefer modern, hard science fiction, the more sweeping in its scope, the better. You of course are my favourite, followed by Alistair Reynolds, Iain Banks, Adam Roberts and I was a fan of Richard Morgan until he started messing around with that medieval stuff. The pace of Orbus was frenetic and every battle fought like it was the last, I loved it, passed it on to my brother who is also a massive fan.

I particularly enjoy the evolution of British Sci-fi over the last 10 years. In my view, American authors have a tendency to stick with the ‘Middle America’ view of Science Fiction, earth against the aliens with very clear black and white good guys and bad guys. Scalzi’s Old Mans War was a case in point. It was OK as a book, but I think British sci-fi is further on that that and you are leading the way.

We love the way that you just get on with writing with at least one or two books a year so keep it up, and thanks.

Paul Mackay

 
 

Hooders.

Posted on by Neal Asher

I was looking for some simple way to illustrate what a hooder looks like and came up with some handy ideas. Take a human spine and graft a horseshoe crab on the end of it, and you’re about there. I mean, take a look at this and imagine it ten times bigger and slamming down on top of you.

Also, whilst looking at human spines, I found this. Just remove the pelvis and the light bulb and you’ve got the general shape of a hooder.

Righto, I’ve just finished working backwards through The Technician and am now further tidying, also writing those chapter starts: ‘How It Is — by Gordon’, ‘From a Speech by Jobsworth’ etc.

Who Reads My Books? Mike Stone.

Posted on by Neal Asher

Michael Stone

I was born in 1966 in Stoke on Trent, England, and still live there with my wife and daughter. As a result of retinitis pigmentosa, I’ve struggled with diminishing eyesight since my teens, and in 2006 I was registered blind. So, gone are the motorbikes that were my pride and joy, and there’s to be no more tennis or golf. I can still use a computer though, and read books, so things aren’t too bad. When asked what I do for a living, I either tell people I’m a full time writer or unemployed, it depends on who’s asking. I feel a bit of a fraud telling people I’m a writer when I don’t earn anywhere enough to pay the weekly bills.

I am progressing though. I’ve sold over fifty stories to date, most of them written in the sf/fantasy/horror genre. My influences include Graham Joyce, Larry Niven, Adrian McKinty, Terry Pratchett, Garry Kilworth, Jasper Fforde, Iain (M) Banks, Colin Bateman, Desmond Morris, Carl Hiaasen, David Gemmell, George R R Martin…the list goes on and on and isn’t all genre stuff, as you can see. Everything I’ve read and watched is grist to my mill when it comes to putting words on paper.

The most recent addition to that list is Neal Asher. I read The Gabble collection last year and was so blown away I promptly went to Amazon and ordered all I could get my hands on. I’m currently reading (slowly, it must be said) The Voyage of the Sable Keech.

What else can I tell you? Well, 2007 saw a collection of my novellas published as Fourtold, which garnered positive reviews from readers and fellow writers alike, including praise from Graham Joyce and Garry Kilworth…and you can imagine how chuffed I was about that. In 2009 I signed to the Sobel Weber Associates literary agency who are now shopping two of my novels to various publishers. I have just finished co-editing an anthology of Irish crime stories for Morrigan Books, which should be out mid-2010. Also this year I have two novellas coming out as chapbooks. One of them is called The Skinner! It is, I hasten to add, nothing like Neal’s wonderful novel of the same name. My skinner is a werebear preying on other werebeasts in a near-future Britain. No spatterjay viruses in sight.

If anyone is interested, I have a website at www.mylefteye.net.

Little Story

Posted on by Neal Asher

Here’s one from Max Thompson who joined up on my FaceBook site:

I also have a tale of synchronicity involving one of your books.

I was living in Kuala Lumpur a few years ago and Hilldiggers has just been released. I could not get it anywhere and was mightily disappointed as wanted to take it on a trip to Langkawi to read on the beach. On arriving at the aforementioned island after settling myself in I went for walk along the seafront and came across a flea market. Bugger me if the wasn’t a 2nd hand copy sitting there on a book stall for about 5 ringit !! The only English book in sea of German bodice rippers. I was the happiest bloke alive and you have never seen a anybody get their wallet out so fast.

I’ve seen by books right round the other side of the world, plenty of them in New Zealand and I even signed a wall in a bookshop there, but it is nice to find out where else they appear.