Gridlinked the Movie.

Here’s something our very own Cameron put together:

Cameron Dadd is an eighteen-year-old freelance graphic designer who lives in the most isolated city on our planet. He does have a small collection, but it’s as yet unavailable online, however, there’s Leviathan here: http://sharpendofreason.deviantart.com/ which, inspired by Cameron’s work, was created by a good friend of his called Carlo – looks like something Dragon put together!

Cormac the Miniseries — I wish.

Paul Swan’s post reminded me: Some years ago great excitement ensued when Tor US received a query from Blue Train Entertainment about the film rights to Gridlinked. This excitement increased when, after a bit of research, I found out that they had been involved in producing the Jackie Chan movie The Tuxedo along with a couple of other production companies including Dreamworks. Nothing came of this, however.
Frankly, I would love one of my books to be bought by Hollywood, especially if that involved me trousering some silly money. It would also raise my profile and probably lead to more book sales. However, I think it was Terry Pratchett who said that such a sale virtually guarantees the book won’t be seen on the screen. Many thousands have been bought, but how many get turned into a films? Usually all we see are remakes of 60s SF series, something new where when a book is written it’s usually after the film, or stuff produced filmed from books by authors who have made the transition to sainthood and ‘literature’ by shuffling off their mortal coil. The big problem with this book to film thing is, of course, that books are big. They’ve got a lot of stuff in them and large amounts of it get sacrificed so the rest can be packed into two hours of screen time. Also, a lot of the concepts put across in the narrative of a book are difficult to translate to the screen, especially in that limited time. Really, film directors are better off taking up a short story and running with that. We Can Remember It For You Wholesale, anyone? When a book is turned into a film it can succeed artistically (though not necessarily financially – like Dune), but it often isn’t the same beast any more. Much better, I think, when a book is taken on by a TV production company. First it stands a lot better chance of getting filmed, and if made into a series there’s room for the book to sprawl itself out (Hence the excellent Dune & Children of Dune mini-series’ being true to their source). So this is why I’d like to see the Cormac books made into a series of five seasons with about twelve episodes each. Not too much to ask is it? Anyone out there buying? (Snort!)

Flames Of Herakleitos

Well, it seems a regular visitor here is climbing that rickety ladder into the publishing world. Congratulations to Bob Lock for getting his book Flames Of Herakleitos published by Screaming Dreams. Here’s the blurb: It’s 1969 and a four year old girl witnesses the terrifying death of her father, which is attributed to Spontaneous Human Combustion. The child is unable to explain what she saw, and shortly after the incident, whilst in hospital, almost suffers the same fate as her father when she is attacked by an unknown entity. But she survives. Thirty years pass, Lucy Fenton, has grown up to be a writer of horror stories and is the star of their film versions. She is haunted by the morbid feeling that her long-ago attacker has not yet finished with her. It turns out she is correct when once again it visits her. This time, however, she manages to not only fight it off but to pursue it – to a parallel world where everything she has ever known is turned on its head. Flames Of Herakleitos is a ‘YouWriteOn.com Top Ten Book’
Due to be published in paperback by Screaming Dreams in 2007 Cover artwork by Steve Upham
(for advance preview only and subject to change) Don’t forget to check out the author’s website.

Line War.

Okay, enough of the ranting and back to some writerly stuff. I’ve been wracking my brains with Line War looking for a satisfactory conclusion. Every story, every novel, should, in my opinion adhere to the beginning>middle>end structure (the beginning, the middle, where tension escalates, the end or resolution phase, which consists of a climax which resolves the tension). This is not always an easy thing to do and, to be frank, I’m not entirely sure I’ve managed with every one of my books – probably because I’m a seat-of-the-pants writer who has never really planned any book nor stuck a post-it note anywhere near my screen. And things get even more difficult when, really, every series should adhere to this structure as well. One of the things I’ve been working hard to avoid is that good old deus ex machina, which has been the downfall of a few space opera series in recent years. It is a difficult option to avoid because it’s such an easy option to take, especially if you’ve written yourself into a corner by making your villains too powerful (ulp!). I also think it’s a cop-out and betrayal of your readership. Now I’m beginning to see light at the end of the tunnel (though it may be a train) and I should be able to bring the Cormac series to an end without lowering Zeus onto the stage from the clouds. Line War just cleared 60,000 words yesterday and I’ve realised I must keep myself utterly focused on it to achieve the above aims. Seven-day working week from now on.

Books thus far.

Okay, Maynard1977 has asked me if I’ve got any more books coming out, so I’ll sum up where things are so far. My (available) books thus far published are: Agent Cormac Series: 1.Gridlinked, 2.The Line of Polity, 3.Brass Man, 4.Polity Agent, Stand alone: Cowl, Africa Zero, The Engineer ReConditioned, Prador Moon, Runcible Tales (chapbook of 6 short stories) On Spatterjay: 1.The Skinner, 2.The Voyage of the Sable Keech. Books of mine due to be published are: Hilldiggers – a standalone set in the Polity, Line War – number 5 in the agent Cormac series (the last one, I think), Prador Moon (British edition) and an as yet untitled collection of Polity short stories. I think that’s about it.

Prador Moon Reviews

Other than to say thank you very much every now and again I don’t normally make any reply to reviews. Having seen quite a few of them now I know that every time I come across something negative in one review I can point at a number of others that flatly contradict that negativity in every detail. However (you knew that was coming didn’t you), despite the many positive reviews out there, I am getting a little hacked off with the nature of some of the adverse responses to Prador Moon. It is, apparently a) Too short b) Too expensive c) Too simple.
Now, let me just point out that it is simple because the story … erm, let me think … because it is short? In its way this book is a bit of a reply to those other reviewers who claim my books are far too complex and convoluted (though that wasn’t the intention). It’s a straightforward story with a lot less plot threads than usual – something I’ve been aiming at more lately because my plot threads usually seem to proliferate during the writing of the first two thirds of a book and I then spend as much time extracting and discarding threads as I do writing the last third of the book. It’s short because that is what the publisher in this case requested. As to the price let me just say, “What’s that got to do with me?”

Authors have as much to do with the cover price of books as the inventor of sherbet dips has to do with what they sell for in the sweet shop. And as for the kind soul who put up a two star review on amazon.co.uk without even reading the book and because of ‘a’ and ‘b’ above … well, the page count is there and the price is there, you either buy it or you don’t, but you don’t put up a negative review of something you haven’t even read!

Another Translation.

Ah, the juggernaut rolls on: the Czech publisher Polaris have now made an offer for Brass Man, which they intend to publish in the next twelve months. Thus far they have published The Skinner and Gridlinked, with The Line of Polity next. The Skinner won the Salamander Award (the picture here is of the publisher collecting the award) given by the Czech Academy of Science Fiction, Fantasy and Horror as the best SF book published there in 2004. This was out of a shortlist of Blood Music by Greg Bear, Chasm City by Alastair Reynolds, The Scar by China Mieville and A Deepness Upon the Sky by Vernor Vinge. What an excellent list! The following year Gridlinked appeared on the shortlist, but didn’t win. What’s really good about all this, of course, is that most of the foreign publishers who have taken my first books for translation, are now coming back for more. Other news: in a recent phonecall Jason Williams of Night Shade Books has expressed surprise and delight at the sales of Prador Moon. The first print run is all but gone and orders are still coming in. He also made a book club deal with it too. And it now seems likely that there’ll be a British edition of Prador Moon and a collection of Polity short stories including those published in Asimov’s, Interzone and elsewhere. I’m presently working through the editing of Hilldiggers, with Line War now at over 40,000 words sitting to one side. Also set to one side at the moment is a another book I’ve started for Night Shade Books, which tells the story of Cormac’s early years.