I found this while sorting through my files. I’m sure I was told not to put it up until it was used, then forgot about it. Nice bit of ego inflation:
Tag: Books
New Book
Right, I’ve finished with the Peter Lavery edits of Zero Point, have read through it once more, and I’ve now sent it off. Of course this is not the end, because a copy editor will go through it next and doubtless have queries for me and, if I wished, I could now return to Jupiter War and start working it over again. However, I’ve decided it’s time to look at something different.
This afternoon I opened a new file and titled it Pennyroyal, stared at a blank page for a moment and then typed in that same word as the title. I’m now halfway down the page making notes – putting down things I’ve churned over in my mind on and off for a number of months. Here’s the first thing I wrote:
The traveller keeps a piece of Pennyroyal inside his own ship: a black spine a metre and a half long, the width of an arm at its base and tapering to a needle point, pentagonal in cross-section and with corners of atomic sharpness, a ribbed tentacle extending from its base, with a tentacle junction box a handbreadth down it, and a metre of tentacle beyond – torn off at the end with optics and esoteric electronics protruding.
This may be something I’ll use or it may be something to key me into the book and which I’ll discard later. Other ideas are fermenting and bubbling to the surface. There’ll be connections here to the Prador-Human war, but it will be set after The Technician. A spider-thrall might be involved, and I’m considering a guest appearance by Jebel U-cap Krong. I also see one of those giant AI-dreadnought manufacturing stations, maybe a wartime atrocity…
Hey, this post is longer than the notes I’ve made…
Back to work!
The Windup Girl — Paolo Bacigalupi
My opinion about this book is difficult to nail down. It was rich and textured and engaged all the senses, the characters were fascinating, too, and the extrapolation and some of the ideas were excellent. I particularly liked the kink-spring technology and the semi-retro tech based on it, like the disc guns that are a reminder of a childhood toy. I enjoyed the genetic manipulation and the wind-up girl herself, though of course there were shades of Blade Runner there. However, what gave me pause was the heavy reliance on scares generated by the ‘green’ movement and the MSM, but of course, in present day establishment thinking, it is right on.
We have the scares about global warming and sea-level rise here, and you all know my opinion on them. Yes, we do have global warming, and we’ve had it since the Little Ice Age and it hasn’t come close to being as high as in the Medieval Warm Period and has flat-lined for over a decade. As for sea-level rise, putting aside Al Gore idiocy and desperate IPCC spin, the last time I looked it was few millimetres a year (as it has been for 8000 years), and if we can’t cope with a metre rise in sea-level in three or four centuries then we might just as well give up right now (it has also been dropping for the last three years). However, the clue is in the label. This is science fiction so writing about a future globally-warmed and flooded world is valid, though, extrapolating from historical climate cycles, and writing about a new Ice Age, would be more so.
Then we have the scare about genetic modification or, more specifically, the fear of GM under the control of the evil corporations (sigh). Here we seem to be going into Daily Mail ‘Frankenfoods’ territory, combined with the ‘capitalism is evil’ shibboleth of the left. I am a little doubtful about the idea that our scientists are going to abruptly pull masses of world-devastating monsters out of their arses that billions of years of competitive evolution has failed to manage. But whatever, again this is valid for science fiction, and is of course a very useful spanner in the SF toolbox. I also get tired of that constant portrayal in fiction and film of the evil corporation. It strikes me that corporations seem to come up with most of what improves our lives, while it’s the governments that enjoy bombing people back into the Stone Age.
(I also have to wonder … where are the windmills and tide-generators supplying if not electricity then joules for those kink-springs? Where, with such advanced biotech, are the tank-grown hydrocarbons and the CO2 absorbing microbes? Where, also, are the nuclear power stations? Maybe in the rest of the world?)
Thereafter, if the scares were true, the extrapolation in the book is on the button. I do see Luddite environmental police (white shirts much like Hitler’s brown or black shirts) destroying illegal and dangerous technology and pillorying those who are profligate in energy use. I do see an economy based on calories, and the kind of life-styles depicted in this book. And I do see human life being cheapened.
Now I have to add something more. I have, over time, started to make it a rule that I won’t review books I either don’t like or don’t finish. That I finished this book, considering my personal opinions, is testament to how much I enjoyed it. It’s a valid look at a future from one point of view and, unlike what I have seen in other SF books that venture into this sort of territory, the characters are people struggling to get on with their lives in difficult circumstances, and are not vessels created just to deliver righteous homilies.
Cue the visits by trolls to enlighten me in the ways of correct political thought.
Kardashev Scale
Noting this article on Next Big Future reminded me about the Kardashev Scale, and reading up on it again can certainly be a stimulus for the imagination.
The Polity, I suspect, is merely a Type I civilization, perhaps sliding into Type II territory with the construction of a Dyson sphere. The Heliothane, of Cowl, are also edging into Type II territory with New London sitting over the sun and tapping energy from it. Go check out the links to get your mind blown … so to speak.
The picture here is one from Halo, which seems to have some seriously cool artwork.
Books in Foyles.
Caroline nipped off shopping to the huge new shopping centre Westfield in Stratford and, as is becoming traditional now, she found a book shop and took photos of my books. Oddly there was no Waterstones there and she found these in Foyles. I have to wonder what Christina Foyle would have thought of this. Many years ago I used to cut a field of grass beside Beeleigh Abbey where she lived. I even got invited in once for a cup of coffee and it was like stepping back a hundred years: manual worker invited into the big house to be inspected by the lord and lady, led through by a maid into an enormous room full of antiques and ancestor paintings. I managed to suppress the urge to tug my forelock, dip my head and clutch my cheesecutter hat against my chest.
Foreign Editions
An email from one of my German readers has reminded me that I’m being neglectful of my foreign readers. I do have numerous books that can be bought, signed, in German and French, and a smaller number of them in Russian, Czech, Portugese and Japanese. Here’s a selection:
Of course, perfectly demonstrating just how multilingual some nationalities are, an awful lot of my German readers don’t bother with the versions in their own language and read them in English.
Thanks!
It’s been quite surprising to read what those who have been buying books in the recent sale have been saying. Some of them read my books from the library and now want their own copies. Some bought them for kindle and now want the material thing. A few have thanked me for how open I am on my blog, and I am also ‘the man’ or ‘I rock’. And one of the killers is those who have worn out their copy of their favourite and now want a replacement. Also, actions speaking louder than words, I’m astounded how some American readers are quite happy to pay extraordinary postage.
It’s quite humbling to have become an indelible part of some people’s lives. I know what that means when I open up one of my collection and remember the reading pleasure. It is quite an honour to be in that position. Aw, I’m getting all soppy now. Thanks people!
Now, I need to have a rant about something…
Neal Asher Video Clip 27/11/2011
Books For Sale
Here’s a reposting of my reply (slightly edited) to one Neil who asked in the comments on a previous post why so many books are sent to the author:
It’s in the contract, Neil: 10 hardbacks on first release and 20 paperbacks a year later when the mass-market paperback comes out. In my case the hardbacks go to family and friends but the paperbacks linger. I then get up to 10 of the foreign editions when I only really need 1. Tor US send me the 10 & 20 of my British contract on top.
If you’re a writer who writes one book every two or three years, then that’s probably okay. Since through Macmillan I’ve done about 15 books in 11 years (I think) I’ve built up a bit of a backlog.
Here are some pictures of that backlog, and why I fear the ceiling might collapse at some point.
So, it’s time I cleared a few of these out. If anyone wants to buy a signed copy of any of my books, well, my email is over on the right here at the bottom of my profile. I’m selling them at cover price (if $ then converted to £) plus postage and packing. Just detail what you want and I’ll check to see if I’ve got it – my aim in the end is to retain just two copies each of my English language books and one each of the foreign language ones.
Also, I’ve had requests for signed photos, so I can only assume someone wants something to scare their children with. I’ll be printing and laminating some of these shortly should anyone want to do likewise.
UPDATE
I’ve just checked on stuff in the loft and this is what remains available:
GRIDLINKED
6 copies USA Paperback £6
8 copies USA Bookclub Hardback £14
5 copies USA Hardback £17
SKINNER
3 Copies UK Trade Paperback 2nd Edition £12
4 Copies USA Bookclub Hardback £14
COWL
7 Copies UK Paperback £8
1 Copies UK Trade Paperback £12
8 Copies USA Paperback £6
10 Copies USA Trade Paperback £12
BRASS MAN
4 Copies UK Paperback £8
1 Copies UK Trade Paperback £12
13 Copies Sullivan paperback £8
20 Copies USA paperback £6
7 Copies USA Bookclub hardback £14
20 Copies USA Trade paperback £12
THE VOYAGE OF THE SABLE KEECH
9 Copies UK Paperback £8
10 Copies Sullivan Paperback £8
POLITY AGENT
7 Copies UK Paperback £8
13 Copies Sullivan paperback £8
LINE WAR
5 Copies UK Paperback £8
ORBUS
10 Copies Sullivan Paperback £8
9 Copies Limited Edition
PRADOR MOON
3 Copies UK Hardback £15
7 Copies UK Paperback £7
25 Copies Nightshade edition £10
SHADOW OF THE SCORPION
13 Copies Sullivan Paperback £8
4 Copies Trade Paperback £12
HILLDIGGERS
7 Copies UK Hardback £18
14 Copies UK Paperback £8
THE GABBLE
14 Copies UK Paperback £8
THE TECHNICIAN
20 Copies UK Paperback £8
Mass-Market USA Brass Man
Blimey, it seems they are now printing or reprinting mass-market copies of Brass Man in the USA, which means I get my free books. This is great, I really love free books, but what the hell do I do with them? And how much longer before my loft collapses on top of us one evening? I guess I could try selling them as signed copies over the Internet. Mmm, perhaps it’s time to put up a list again of what I have available…
And here, of course, is a blog post demonstrating how I am trying to escape the mind-numbing tedium of editing. However, I should not complain! Because there’s a danger here of me turning into one of those effete writer pricks who complains about how he suffers for is art and how it is all such a terrible trial.
What I need to firmly plant in my mind is grafting all day digging a foundation hole in clay, for £30; strimming round trees and, because I was wearing goggles only and not a full-face visor, discovering what dog shit tastes like; pulling off a glove, after foolishly trying to reposition a running mower deck, and seeing the end of my finger split open and the bone frayed like a paint brush; never seeing the sunlight for most of the winter working in a machine shop, and perpetually stinking of coolant oil … I’ll stop there, you get the idea.
So, back to editing with joy in my heart!