Tag: Film and TV

Heavy Metal

Posted on by Neal Asher

Righto, I’ve been given permission by David Fincher to show some pictures from the now defunct version of the new ‘Heavy Metal’ film which I’ll scatter through this brief summation. A few years ago I saw a thing on You Tube called ‘Rockfish’ a short CGI-animated science fiction story. I thought it was good and finding the email of the guy who did it, one Tim Miller at Blur Studios http://www.blur.com/ I sent him a message saying how much I enjoyed it. Tim thanked me, glad I liked it since he had books of mine on his shelf. A while after this he told me about this Heavy Metal film and asked if I had short stories they might use.

Pictures from Mason’s Rats

I sent loads, they selected some and I altered some, amalgamating the three Mason’s Rats stories into one and shortening Snow in the Desert. They asked me to write some specific ones, so I wrote one called Half Breed which was an orc/elf battle based on Rorke’s Drift, and a short piece called Dinopocalypse. And on story count my stuff made up two thirds of the film. It was all very exciting since the people involved were Tim Miller himself, David Fincher (Fight Club, Seven, Alien 3), Kevin Eastman (owner of Heavy Metal magazine and creator of the Ninja turtles) and subsequently other people were to be involved, like Gore Verbinski, Guillermo del Toro, Tarsem, Peter Chung and Jeff Fowler (film buffs will know these names) and latterly James Cameron. Also I began to see the artwork being commissioned, which was very good.

Pictures from Bad Travelling

Initially the film was being looked at by Paramount, but they dropped out, and thereafter Fincher and Miller carried on hawking it around. At one point it went to Tom Cruise (he has a film company too), who looked at my story Snow in the Desert and thought it would make a good film by itself. However, all this was to no avail. Robert Rodriguez just optioned Heavy Metal and sadly he doesn’t get any of the stories/concepts/art that Miller and Fincher developed for their version of Heavy Metal.

Pictures from Snow in the Desert

Now Snow in the Desert might be turned into a ‘feature’. That would be great, but I have no intention of holding my breath!

April into May

Posted on by Neal Asher

Monday April 25th

The temperature has climbed in a minor way, hovering at about 12C up here in the mountains and maybe rising as high as 20 down in Makrigialos. It’s still nowhere near where it was last year and my shorts are still confined to a chair in the bedroom. The apotheche door is still jammed shut and I still have no need to divert grey water for the plants here.

However, on the good news front, the ruin is all but complete. But for the discovery of an unattached pipe for the water tap outside, the plumbing is complete and not leaking. The walls are painted, ceiling and other interior woodwork is varnished and the lights are up. Before we move the bed up there all that’s needed is a shower booth, things like toilet roll and towel holders and a bathroom cabinet. Then we have to get a fridge, a small cooker and other smaller items like waste bins etc.

Wednesday April 27th
So many of the programs we pick up on the satellite are platforms for snake-oil salesmen, whether that snake-oil is God or slimming pills or surgery, so I shouldn’t really complain about BBC World. However, those other programs make no claim on balance and integrity. Yesterday we were hit repeatedly with the phrase ‘refugees fleeing the violence in the Middle East’ yet all we got to back this up were interviews with young Tunisian men in railway stations. Now, according to the BBC, freedom and democracy have arrived in Tunisia, the despot has stepped down and all is tea and cucumber sandwiches. What we basically have here, as anywhere the welfare state hasn’t spread its stifling tentacles, is young men looking for work. These ‘refugees from violence’ are actually fleeing the thing that had them chucking rocks at their leaders in the first place: poverty. It’s the economy, stupid. Of course there doubtless are refugees from the violence in Libya out there, but they’re probably a bit far from the hotel bar for our intrepid BBC correspondents.

Ah, now that’s more like it. We went up to Handras and then Ziros to celebrate someone’s birthday and in a kafenion were put in contact with a guy selling a nice rose wine for €1 a litre. We bought five litres and will doubtless be seeing him again – he’s not going to be running out any time soon since he has 25,000 litres on tap…

We had more pissing rain last night, and there’s still no sign of the promised global warming. We’ve ordered another two tonnes of wood for the stove, which will maybe turn up today. I’m hoping we won’t get to use much of it this ‘spring’ and can save it for next autumn and the start of winter. But it seems that every time it’s looking like it’s warming up, another shitload of cloud comes over the horizon and the temperature drops.

Monday May 2nd
I moved the bed and some other bits and pieces up into the ‘ruin’ over the weekend (the words ‘the ruin’ have stuck despite it being cleaner, drier and newer than the main house) and can now concentrate on other work. Having cleaned out the spare room I bleached the mould on the walls and ceiling, treated and varnished the beams and used up the remainder of the paint on the walls. I’ve also been varnishing the pergola and generally working on other stuff until completely knackered. The weather is still crappy – cloudy, damp and cold – though things are looking better this morning. During the royal wedding, when I intended to go fishing with ‘the boys’ whilst Caroline watched the wedding with ‘the girls’, it absolutely chucked it down, so I ended up drinking far too much wine.

We’ve just seen on the news that Osama Bin Laden has been killed. Perhaps it is a good thing to have access to BBC World, since when Michael Jackson died we didn’t find out about it until about three weeks afterwards. Then again, does knowing these things make any difference to us at all?

The cynic in me immediately wondered what news was being covered up by this, that maybe the killing of Gadaffi’s family was something the powers that be wanted kept low key, but, just maybe, the announcement was being held over until after the wedding. Anyway, this is a good media victory for America and has reduced the number of murderous people-hating psychos by at least one.

Wednesday May 4th
I’ve just received an uncorrected proof copy of The Departure (thanks Julie) and here, for your delectation, is a picture of what you can’t have until September…

The temperature is climbing. This morning at 10.40 it is over 20C – the first time it has risen so high since we’ve been here. I’m actually contemplating putting on my shorts and venturing outdoors.

Meanwhile, I was going to post a picture of Makrigialos beach for Chris (Dutch physics teacher) showing how much the sea level has dropped here. However, the one time I remember to bring my camera down the sea is back where it was before.

Fukushima Radiation

Posted on by Neal Asher

Thanks Peter Walker for directing my attention here. Wow, I’m astounded to read this on a BBC news website (though he lost me a bit with his mention of climate change), and really wish this kind of sanity appeared in its TV news programs . It doesn’t. I select out the BBC in this respect mainly because it’s funded by a compulsory tax, yet ITV and Sky have been just as bad. I must add that I have found a TV news program that seems free of much of the bias of the ones above and from which I at last obtained some sensible perspective on what’s happening in Libya. Ironically that program is ‘Russia Today’.

And Chernobyl? The latest UN report published on 28 February confirms the known death toll – 28 fatalities among emergency workers, plus 15 fatal cases of child thyroid cancer – which would have been avoided if iodine tablets had been taken (as they have now in Japan). And in each case the numbers are minute compared with the 3,800 at Bhopal in 1984, who died as a result of a leak of chemicals from the Union Carbide pesticide plant.

So what of the radioactivity released at Fukushima? How does it compare with that at Chernobyl? Let’s look at the measured count rates. The highest rate reported, at 1900 on 22 March, for any Japanese prefecture was 12 kBq per sq m (for the radioactive isotope of caesium, caesium-137).

A map of Chernobyl in the UN report shows regions shaded according to rate, up to 3,700 kBq per sq m – areas with less than 37 kBq per sq m are not shaded at all. In round terms, this suggests that the radioactive fallout at Fukushima is less than 1% of that at Chernobyl

Go read the whole thing.

Interview with Jerry Pournelle.

Posted on by Neal Asher

Good interview with Jerry Pournelle here on Pyjamas TV.

Glenn Reynolds sits down with science-fiction master Jerry Pournelle to discuss the Japanese reactor meltdowns, atomic energy, the climate, and the future of artificial intelligence. How prepared is the United States for disaster? Pournelle wonders whether FEMA and the decline of civil defense has put America at even greater risk in the event of disaster.

Disaster.

Posted on by Neal Asher

I laughed uproariously last night. Apparently, according to a BBC reporter, the Fukushima ‘disaster’ is in danger of overshadowing the surrounding tsunami disaster. Um, hey Mr BBC reporter, don’t you think you might have had something to do with that?

Define disaster. Let’s see, 10,000+ people killed, whole towns wiped out, 10s of thousands made homeless, and now running out of food and water as opposed to, say, nuclear plants badly damaged and maybe having to be sealed in concrete, a handful of workers injured, and one killed in a crane accident.

Of course, no problem now. The imposition of a no-fly zone over Libya has apparently suspended the Japanese nuclear holocaust.

Old Man's War Movie

Posted on by Neal Asher

Well this should be pretty damned cool!

EXCLUSIVE: Paramount Pictures has acquired screen rights to the John Scalzi novel series Old Man’s War, with Wolfgang Petersen attached to direct and David Self adapting the tale into a large-scale science fiction project. Scott Stuber will produce through his Stuber Pictures banner, with Petersen also producing. The hero is a 75-year old man who, having lost the love of his life, is amenable to trading his old carcass for a younger, genetically enhanced body so that he can combine the experience of age with the strength of youth and join an outer space military coalition sent to protect human colonies in outer space. Inductees agree to leave their past lives on earth behind, and are promised land on distant human colonies if they live. Injured in battle, he’s rescued by a special-forces officer who seems to be a younger version of his wife. She doesn’t recognize him, but he’s so convinced he has another chance with her that he abandons his unit and risks everything to be with her. Kim Miller will be exec producer and Alexa Faigen is associate producer. Scalzi is a two-time Hugo Award winner who was most recently creative consultant on the TV series Stargate: Universe. Old Man’s War is the first title in a bestselling series that spans four books.

Guns, Germs and Steel.

Posted on by Neal Asher

Having heard about the book Guns, Germs and Steel by Jared Diamond (I think it was Richard Morgan who recommended it) I managed to pick up a copy from a local charity shop. However, when I tried to read it my eyes started glazing over and I ended up sticking it to one side. It then ended up in that pile of books destined to be sent to a charity shop under the label ‘Life’s too Short’.

A number of weeks ago I then noticed a Channel 4 documentary with the same title and recorded it. Just yesterday, feeling knackered after having to get up at 4.15AM to drive my mother to Gatwick, I decided to do something less mentally taxing so sat down to watch it.

The essential question posed was, ‘Why have the Europeans always been the winners?’ Why have they generally been ahead of the rest of the world? Jared Diamond’s reasoning is essentially this: most of the animals that can be domesticated are only found in Eurasia, which took farming in this region beyond the subsistence level thus freeing up human resources for technical and social development e.g. the smelting of metals like steel and really, the building of civilization. This domestication of animals also led to an increase in the diseases the Eurasians suffered and subsequently gained some immunity to. So, armed with steel, rapidly developing technology and a shitload of diseases they went off and conquered the world.

This is, of course, a simplification. The documentary itself was almost certainly a simplification of the book.

A particular case cited is that of the Conquistadors. Armed with steel, experience of warfare and mounted on horses, Francisco Pizarro and his men first defeated the Incas in battle (mainly because of the naïve stupidity of their emperor), then the small pox the Spanish carried finished off the job. Yes, historical fact, but was it necessary to imply in this documentary that the small pox was somehow deliberate?

The logical thread of this is very attractive and certainly has much truth. However, the continuous use of the liberal buzz-word ‘inequality’ throughout should have clued me in to how specious some of the reasoning was. The first hiccup was with that domestication of animals and non-subsistence farming. This happened in the Middle East and with a bit of hand-waving and talk about how it spreads latitudinally, it magically became the big advantage to the people of Europe. One then has to ask the question: why wasn’t it the middle easterners with their ‘guns, germs and steel’ conquering the rest of the world? I’ll take the forgiving view that this is all a bit more complicated than portrayed in the documentary, so perhaps I really should read the book.

Next we go to tropical South Africa which the Europeans struggled to conquer because their farming methods didn’t work and because the diseases were on the side of the Africans. However, the Europeans did win there because the steel was on their side – mainly the Maxim machine gun, then the train. Okay, I get that – more historical facts. But what got my back up here was the glorification of the native and the life style of the ‘noble savage’. And please stop it with the implication that the Europeans destroyed some wonderful agrarian idyll and that a return to that life style might be a good thing. Yes, the life-span in the place depicted is about 40 now, but did those ‘noble savages’ live any longer? Did the women enjoy popping out baby after baby until dying of it? Did they all enjoy labouring every day just to put food in their mouths?

Diamond then moved away from his central contention to claim that the similarities between tribal languages indicated a previous single underlying language and an African civilization, on the bones of which the Europeans built their African empire. I can see the point of the language thing when we look at the ‘romance languages’ and the like. If you want to you can contend that the Europe we know is ‘built on the bones’ of earlier civilizations (The Greeks and then the Romans). Thing is, we’re still digging up those bones. Nothing remains of this particular African civilization because they built nothing long-lasting and invented no more than had already been current in the Stone Age, which is a curious and highly convenient definition of civilization.

It would have been better if this had stuck to Diamond’s original contention about ‘guns, germs and steel’ rather than straying into the apologia and fatuous fact-twisting of political correctness.

In the end this documentary was another of those liberal self-flagellation fests; another deep revel in white guilt and the present practically Luddite attitude towards technology. It was highly selective of its ‘facts’, quite good at confusing correlation with causation (another common one nowadays). Yes, I perfectly understand the point that no single race possesses some underlying superiority, but I damned well disagree with the idea here that because luck and circumstance put the Europeans on top that they should feel guilty and be all apologetic. The reality of this documentary is that those who produced it don’t really understand their own proposition of underlying equality, which is that if the ‘guns, germs and steel’ had arisen elsewhere in the world, it would have been the Europeans who got the kicking.

Strange isn’t it, how the politically correct revel in a guilt that stems from their own assumed superiority.
Noblesse oblige.

Recording at Audible

Posted on by Neal Asher

So, yesterday we took the 11.05 train from Althorne to Wickford then went from there to Liverpool Street. Whilst we were travelling I kept adjusting my short introduction to the Spatterjay novels and was looking over the lists of questions I’d put together for this interview/conversation with William Gaminara. The questions for him to ask me I’d taken from various interviews I’ve had, whilst those for him to answer were from the surprising lack of information about him on the Internet. I’m guessing that despite being a well-known actor in Britain he’s probably a very private individual.

As it was I had even less time to fret. Initially we’d agreed to meet Stacy Patton Anderson (Acquisitions Manager for Audible) for lunch near Liverpool Street, whereupon we were going to go for a wander about, then head at 5.00 to the studio being used for the recordings. However, it turned out that Mr Gaminara was going for an audition (he still has to audition?) so the recording time was moved to 3.00.

We met Stacy, a pleasant American lady, in ‘Canteen’ in Spitalfields at 1.00. This seemed to be a slightly trendy place i.e. it had acoustics that severely hampered conversation, communal tables, uncomfortable backless chairs and expensive but average food. I’d brought along a selection of books for her that I handed over, and then, after eating, she took a further look at my intro and suggested some changes, which we made. After that we took a tube to Edgeware Road whereupon Stacy tracked down the Lisson Street studio with some sort of app on her phone.

Approaching the glass doors we immediately recognized Mr Gaminara inside – it’s that thing about actors: you recognize them like people you’ve known for years, but of course you don’t know them at all. On about three occasions whilst in London I’ve turned to say hello to someone I know, then stopped myself because I only knew that person as Inspector Burden from Wexford, Neil from the Young Ones or Prunella Scales from Fawlty Towers. You feel such a fool but, of course, they are used to it, and are immediately aware that they’ve been clocked.

I said hello to William, thanked him for his reading of my books, said hello to Vicky Bennett (Assistant Producer) and the sound editor John Moreland, whereupon we all trooped upstairs to the studio and generally had a chat. Apparently William hadn’t read any SF since Asimov many years ago. Still, I handed over some books – if not to lure him in then hopefully so he can start thinking about how he would read the Cormac series! Anyway, he seemed like a nice guy: professional and intelligent, paying attention to everyone around him and not in the least egotistical.

Just a note here: funny how though the people in the studio kept referring to him as ‘Willy’ I can’t bring myself to use that name here. Just goes to show how, maybe unconsciously, we so associate the actors with the roles they play. Damn it, he’s not Professor Leo Dalton!

We both went into the recording room which was a bit like a radio studio with spectators, producer and sound guy on the other side of a viewing window (In the picture Gaminara is the guy with only one chin and a face undamaged by acne rosacea). Whilst they were sorting out the sound levels I tried one of my questions to him and immediately made a cock-up, saying he’d written the scripts for The Lakes, and being corrected by him. In fact the series was created by and mostly written by Jimmy McGovern, with co-writers of some episodes being William Gaminara and others. Shows you how you can go wrong on the Internet.

When we got into the interview/conversation we hardly referenced the questions at all. Vicky Bennett occasionally asked us to focus on this and that and, at one point, according to Caroline, gave up because she couldn’t get a word in edgewise. Afterwards I was told it all went well, but I always take that with a pinch of salt nowadays. William then went off to do his audition – and will be back in the studio recording the audio version of the John Christopher Tripods series today. It might be interesting to get hold of that since, as I recollect, the TV version was never completed. Stacy also went off to some sort of meeting. In both cases, because studio time was limited and they wanted me in to record the intro, I forgot to sign their books. I went through the intro, repeating the bits I screwed up so it could be edited together later. As I stepped out it amused me to hear Vicky say (the first time anyone has said this to me in my life), ‘That’s a wrap’.

Leaving the studio we wandered around for a bit looking for somewhere to get a drink – I was wired – then got fed up with that and headed home. Caroline immediately brought me down to earth by getting me to take the rubbish out, then I made a dent in a bottle of Edradour I got for my birthday whilst we watched Taggart and some more episodes of The Shield.

Interesting interlude, but now back to the day job.

Bit of Recording.

Posted on by Neal Asher

Righto, giving me less time to fret about the matter it seems I’m going into London tomorrow to record a little introduction for the Spatterjay books for Audible, then have some sort of recorded informal interview/chat with William Gaminara.

This has come up rather unexpectedly because Mr Gaminara is at Audible recording the Tripod books (John Christopher). I guess it’s useful for me because it gives me less time to fret.