Heavy Metal.

Well, since it’s now out there on the Internet, there’s not much point in me keeping quiet about it. Hopefully Hollywood Insider won’t mind me pinching this:

David Fincher’s Remake of Heavy Metal a No-Go at Paramount.
An article on Jul 9, 2008, 03:44 PM by Nicole SperlingNot even a bigshot like David Fincher could keep Heavy Metal at Paramount. The Zodiac director, who is currently putting the finishing touches on his highly-anticipated Brad Pitt movie The Curious Case of Benjamin Button, has been spearheading an edgy remake of the 1981 R-rated animated flick inspired by the 1970s fantasy magazine of the same name. But Tim Miller, whose Blur Studio is handling the animation, says he and Fincher, along with current Heavy Metal publisher Kevin Eastman, are now shopping the film to other studios because Paramount’s new production execs felt the movie was too risque for mainstream audiences. The project is an amalgam of erotic and violent storylines penned by well-known sci-fi scribes like Steve Niles (30 Days of Night), Joe Haldeman (The Forever War), and Neal Asher (Gridlinked). The concept is to use eight to 10 of these shorts in a single movie with each segment helmed by a different director (Fincher is on deck to direct one). Though things are on hold until another studio picks it up, Miller is confident the film will eventually see the light of day. “David really believes in the project. It’s just a matter of time,” Miller says.

Five of my stories up for inclusion — about half the film.

Writing Update

Okay, I’ve had a little rant so now it’s time for a writing update. As far as I can gather, Shadow of the Scorpion, a shorter novel about Cormac’s past years, was published in America by Night Shade Books on November 5th (Hah! Bonfire night!) in paperback. The Macmillan edition, which will undoubtedly start out as a hardback, will be published in Britain on April 3rd 2009. The Gabble and Other Stories, a collection of short stories some of you may have read elsewhere, came out in Britain in hardback on November 7th. Back in June, whilst away, I completed Orbus – a follow-up to The Voyage of the Sable Keech – and sent it in to the publishers, however, due to a communications cock-up they thought I’d just sent some stuff for the cover designer to use so the book languished in some computer file until a recently asked about it. It is now in the hands of the editor. No matter really, since that doesn’t change the publication date of September 4th next year. After this I wrote a longish story loosely based on the Rockfish video you can find on You Tube with a view to possibly turning it into a script. No real news about that at the moment. Presently I’m 45,000 words into somethng provisionally titled The Owner of Worlds, based on the ‘Owner’ stories to be found in my collection The Engineer Reconditioned. That’s about it for now … except I couldn’t resist putting up a picture of where we’ve been living for the last six months, and where I’ve been applying myself to the keyboard.

Sucker.

Since I might not be posting on here for a little while, here’s a nice little story for you to enjoy while I’m gone…

SUCKER “You’re fat. You do nothing but eat, drink, defecate and inflate,” she said. Harry flinched at the down-the-nose oh-so-superior voice. He stopped whipping up the mash with his fork and stared at what he could see of his reflection in the kitchen window. Observing a face hanging like a bag of melted butter, he then turned to study her. She was leaning on the counter sipping at her fifth gin of the evening. How dare she call him fat? Her thighs rocked when she walked and her breasts sat like boulders on the mountain of her stomach. He felt the anger roil in his gut and claw its way up into his chest. He’d really had enough. “And you’re a snotty-nosed bitch,” he said, breaking out in a sweat at his temerity. He waited then, hardly daring to imagine how she might react, but even more angered at his own fright. She laughed a dry hacking laugh and gazed at him as if he was something she’d just stepped in. “You are a corpulent slug, darling.” It was the darling that did it. She’d called him that when they’d first been lovers. Over the years the word had changed from a term of endearment to one of contempt. He stepped towards her but she was too drunk to notice. She noticed when he stuck the fork in her eye, though. The fork still in her eye, dripping mashed potato and other fluids, she staggered into the sitting room. Harry opened a draw and made his selection. The Ken Hom cleaver was a favourite of his, as was the filleting knife he’d honed down to razorlike sliver of metal. He listened to her nasal squealing for a moment before following her in. All over the carpet – all over her lovely cream thirty-three pounds a yard carpet. The eye liquor had all run out and now it was blood dripping from the handle of the fork. He must have jammed the tines right into skull behind as the implement showed no signs of falling out. Harry moved in and thought about the conger eels he’d gutted in his boat-trip days. The thing to do was to cut them into pieces small enough to bag and put in the chest freezer. Each piece a meal in itself. He was humming to himself by the time she finally stopped screaming. The doorbell rang when he was getting really artistic with the filleting knife. He wiped his face on a towel and went to the door, opened it, and stuck only his head round. “Good morning, sir! I’m here to demonstrate the Tyson Supervac 2000,” said the little man on the step. “Don’t want none,” said Harry, closing the door. “But, sir. The lady of this household specifically requested a demonstration. We don’t force our wares on people who don’t want them, I assure you.” As the little man spoke he leant against the door. There was something manic in his expression. Here was a salesman who had been put off once too often. Harry felt that dull roil of anger again. Spending his money. That damned carpet, a mortgage he could hardly afford, the fucking useless ornaments that ate tenners then gathered dust, and now a vacuum cleaner they didn’t need. Before he fully understood what he was doing he had opened the door and let the interloper in. Dragging his large wheeled-case behind him the salesman shot past Harry into the hall, grinning widely at this unprecedented success. Harry closed the front door and turned. The salesman’s grin fell away when he saw the blood, and the cleaver clutched in Harry’s right hand. “Go on then, demonstrate,” said Harry. “W – w – where would you like me to demonstrate, sir?” Harry pointed with the cleaver to the sitting room. “In there.” The salesman was frightened, but his expression hopped to an utterly new level of fear and horror when he dragged his case into the sitting room. “Oh my god. Oh my god.” He turned, searching for somewhere to run, but there was no way round Harry. Harry used his huge gore-spattered belly to barge the salesman into the room. “I’ll go away. I’ll go away. I didn’t see anything!” “Demonstrate,” said Harry. The salesman stared at him in disbelief, then turned and gaped at what had been spread across the white carpet. “No … no … you can’t mean …” “Demonstrate!” Harry shouted, swiping his cleaver at the salesman. The salesman ducked back, dragging his case with him. He stepped in a stack of fingers, stumbled, and sat down in a pool of intestines. His expression twisted, there was horror there, sickness. For a moment it seemed he might cry. Harry picked up his filleting knife and stepped closer, then something clicked. “The Tyson Supervac 2000 is at the … cutting edge of house-cleaning technology.” The salesman stood and looked around himself. “Not only can it be used to vacuum carpets, but it can also be used, with boost control, to clear leaves, and even blockages in drains.” With this the salesman opened his case and removed from it a brushed aluminium vacuum cleaner with a transparent plastic dust compartment. In the sides of the case were various hoses and attachments. He selected a transparent hose and connected it in place. On the end of the hose he fitted a plastic nozzle. “The Tyson Supervac comes with its own rechargeable power pack, but for the removal of heavy soil we recommend you plug into the house power supply.” He held up a three pin plug. The expression on his face was sick and his hands were shaking. Harry nodded to the power point. The salesman went over and plugged in, then returned to his cleaner. “The Tyson Supervac has adjustable power setting. The lowest power setting is for conventional carpet cleaning. Drain cleaning and leaf clearing come at the upper end of the scale.” He pointed at a slide-switch and pushed it halfway over. “The 2000, unlike the earlier 1500, has a silent running mode. For heavy soil though we recommend you don’t use this as there may be some loss of power.” After this little speech the salesman stared at the mess for a long time. He then pressed a button and the vacuum cleaner roared into life. With a look of distaste he lowered the nozzle to the carpet. Harry was impressed. This was certainly a very efficient cleaner. Two kidneys, one after the other, went up the pipe with a sound like someone spitting pips. A length of intestine disappeared with a sound like air being blown through the neck of a burst balloon. Of course it didn’t take long for the transparent dust compartment to fill. “You’ll find the Tyson Supervac 2000’s dust compartment clean and easy to use. See: just detach it from the cleaner and take it to your dustbin.” The salesman stood holding the dust compartment. He had a piece of liver stuck on his cheek and his suit was spattered with blood. His right eye was twitching. Harry gestured with his cleaver then walked behind the man with the filleting knife at the back of his neck. The contents of the dust compartment slithered into the dustbin. On the fourth emptying the salesman was walking a little unsteadily and breaking into the occasional giggle. “The Supervac 2000 can be bought on extended credit. You can own a Tyson Supervac 2000 for six months without paying a penny! That’s six months of superior cleaning for nothing. You’ll never want to part with your Supervac!” The fingers rattled as they shot into the dust compartment. Squares of skin went in with a dull popping. Her hair jammed in the pipe for a moment until the salesman hit boost, then it shot inside. But even the Tyson Supervac 2000 couldn’t suck up the skinned skull with its dinner fork still in place. It stuck on the end of the nozzle and only dropped off when the cleaner had been turned off and wound down to a stop. It dropped on the floor with a leaden thud. “Should you encounter any problems with this item we recommend you contact us on our helpful and friendly customer services line.” The salesman stared at the skull, then at the skinned ribcage and some of the larger lumps. “Never pick them up. Not no way,” he said, and giggled. Harry held out a roll of bin bags for him, then followed him as he made three trips to the dustbin. “Now the carpet,” said Harry. “The Supervac … “ The salesman stared at the blood soaking and clotting the carpet. “… has this handy wash-vax attachment which can be used to clean heavily soiled carpets and even upholstery …” He stared at the sofa on which, until only moments before, two blubbery breasts had sat like huge blancmanges. “ … all you need is the Supervac recommended carpet cleaner, which can be obtained at concessionary prices by registered owners.” The salesman got himself into motion. He lifted the pipe he had been using, removed the plastic nozzle and fitted a long stainless steel attachment. He turned the cleaner on. “But before I demonstrate the wash-vax!” He turned towards Harry with a deranged expression on his face. “Let me demonstrate the power of The Supervac 2000 for drain cleaning!” He turned the vacuum cleaner on and pushed the power setting to its highest. “I don’t want –” Harry managed before the stainless steel pipe was in his eye. He yelled and dropped his knives. There was a sucking thump and a ghastly sensation. With his right eye he watched in horror as his left eye shot up the transparent pipe. “Feel the power of Supervac!” Harry grabbed at the pipe, stumbled, slipped on blood-slick carpet, and felt the pipe ripping away from his face. He felt it tear a strip of skin from the bottom of his eye down to his chest. He bellowed as he went flat on his face. The pain hit then and he bellowed again. “With turbo boost!” Harry struggled to get up, felt the back of his trousers rip and something cold intrude between his buttocks. “Supervac 2000! Will remove even the most stubborn blockage!” Harry deflated. ENDS.

Writing News

Righto, I’ve cleared 100,000 words of Orbus, which is always a bit a of a milestone, and the endgame progresses nicely what with a planet getting blown to smithereens and some seriously huge dreadnoughts knocking the shite out of each other.

Nice reviews appearing here there and everywhere for Line War. There’s the previously mentioned one in SFX 169 (May), a good one from Anthony Brown in Starburst 362 and others elsewhere. I particularly like this one I found on Sarcade’s Weblog. I also like it that no one has yet accused me of the Space Opera sins of anticlimax or deus ex machina.

Had a photo shoot on Wednesday: professional photographer all the way down from Bristol to take shots of me posing in the pissing rain before Maldon mudflats and trying to look cool in a scrapyard. This is for an SFX profile which should be coming out at round about the time my short story collection gets released.

Oh yeah, and not long until Shadow of the Scorpion is available.

And I note that David Gunn’s next book is out to hopefully cause Maximum Offense!

Article 15: Re-Write

This is an old one, with some bits I no longer agree with, but I’ll give it to you as it was:

RE-WRITE. When do you cease to re-write work? Simple answer: when you are no longer improving as a writer, when you feel you have nothing more to learn, when you have achieved perfection. It is an unfortunate fact that some writers do believe this of themselves. They are normally the ones who have achieved success, and are drunk on the adulation of those who think a past participle is something you’ll find in a linear accelerator. For me revision of a story partially ceases when I feel I have achieved a required effect, might well attain publication, and have more interest in the next project. But while it remains in my processor it is still subject to a critical eye. I don’t believe there is such a thing as too much re-writing. You just reach the stage where you can’t go any further with a piece and move on to the next. In the process you jettison the bad and keep the good. You decide, and you base your decision on what you are after. Publication? Re-write for the market acting on feedback from editors and readers. Personal satisfaction? Don’t kid yourself. For my novella for Club 199 I took a thirty thousand word story and extended it by ten thousand words to fit it within their parameters, and felt perfectly justified in doing so. As far as I am concerned good writers are successful writers (though successful writers often degenerate into bad writers). There is no quick-fix formula. It is obvious such a formula is profoundly wished for, as the sales of the ‘How To’ books attest. When the questions are posed as to the extent and method of re-writing the real question being asked is: how do I write well? The first step on the road for ninety percent of would-be-famous novelists is to learn how to use the English language. Get hold of books like ‘Fowlers Modern English Usage’, ‘Roget’s Thesaurus’, and perhaps a plain old ‘Mastering The English Language -S.H. Burton’. For many people the re-write required is the one to turn their masterpiece into something intelligible. It was not until I joined some postal workshops that I found out just how bad it was possible for some writing to be. I also learnt that those writers who really try to get a handle on the language are also the ones who tell the best stories. Understanding the structure is all. You’re not going to build a suspension bridge if you don’t know how nuts and bolts go together. The rest is badly written soap-opera. So now you know how the English language works, have put a story together, and are looking at doing a re-write. You have looked at the story objectively and made sure that the bunch of flowers is beautiful rather than are beautiful and your hero still has the same colour hair all the way through. How does it look subjectively? Where, for example, can you break the rules to the greatest effect? The best of writers are the ones who know how to do this. Steven Donaldson once managed a one word sentence that had the skin on my back crawling (Of course I’m aware that it is not pc to like Donaldson; he’s too successful). The word was ‘Kevin’. No, not the spotty dickhead down the road. Kevin Landwaster who performed the Ritual of Desecration and whose spectre has just stepped through a door from the underworld. I’m afraid no English book is going to tell you how to achieve the same (though ‘The Critical Sense’ by James Reeves comes mighty close). The only way to learn is through hard work, reading, and listening to criticism, though for the latter you must judge what is relevant. There are no substitutes for these, just as there is no substitute for talent. When you re-write you must see the images and feel the effects of every word. You have to decide what to discard and what to keep. There are many sources you can tap to help you make these decisions. But in the end they are your own.

Writing News.

Well this is rather nice. As of right now on Amazon.co.uk, Line War is at number 4 in the SF bestsellers (it’s been hanging around there for a while) and number 72 in books overall. I’ve also just been told that the first print run of Hilldiggers paperback sold out last month and that they’re having to reprint, before the actual release date. Other news: I’m 80,000 words into Orbus. Also, very soon, I hope to be posting some news about some, well, Hollywood stuff. I’ve really had to clamp down to prevent myself shouting about this… damn, shut up Neal.

Galactic Empires

Nice little review of Gardner Dozois’s Galactic Empires here on SF Signal. And here’s the bit about my story, though I thought it mean to give it three stars (I’m biased).

Neal Asher’s “Owner Space” opens with a group of people on the run from (1) the Collective – the dominating conformance society from which they escaped, and (2) an alien known to be dangerous to mankind. Their only salvation is to enter the mysterious Owner Space, an area of space that is home to a rumored God-like being equally intolerant of humans and aliens. Sound confusing? It may take a little time to get a clear picture of all factions and interrelationships involved (additionally there’s the Markovian society which fell to the Collective) but the conflict is actually well-imagined and intriguing. The most memorable characters are the evil Collective Doctrinaire named Shrad, who is power-drunk and evil to the bone; the Owner, an unassuming human with mind-boggling but largely unexplained powers; and the Grazen alien mother, a hapless victim to man’s atrocities. Some cool elements in the story – like the mind-controlling strouds and the automaton Guards it turns people into – round out a good story.