Saturday 19th April

Much of what I am doing here on Crete this year is about distraction from certain memories, putting a large amount of activity, and time of course, between me and them so, hopefully, they will have less power to hurt. Believe me, seeing your spouse die of bowel cancer is not a set of memories to be treasured. If the technology, as in The Shadow of the Scorpion, was available, I would have my mind edited.

Walking of course is a big thing. I’ve mentioned before that I have been susceptible to depression and am aware that one of the best ways to keep it at bay is exercise. Walking is also both easy and highly beneficial. What I mean by this is that going for a run, or lifting some weights are activities I view as onerous. I know they are good for me but don’t particularly want to do them which is why they often fall by the wayside. Walking, especially here, entails stepping out of the door and going and, after a mile or so, a feeling of wellbeing impinges without sweaty grunting effort.

Gardening is similar. Weeding, planting and generally eking about in the garden can use up a day without much in the way of conscious thought occurring between my ears. So too with the numerous tasks involved in keeping an old stone Greek house in order. Maintenance is a big part but, at this time of the year, so is the perpetual task of running the wood-burning stove: fetching in wood, cleaning out ash, cleaning the stove-glass doors and sweeping the crap off the floor.

Mental activity, however, can be a problem. I’ve found that with the above my mind is just ticking over – doing no more than is necessary. I can’t remember who said it to me but it’s almost a Zen-like thing of just living in the moment without much thought about the past or the future. Was that here in the comments or on Facebook? Anyway, once I start putting my foot to the pedal and mental activity increases it does so, unfortunately, in all respects and of course I start mentally exploring those things I would rather avoid. Then again, I don’t want to avoid thinking perpetually – if that had been my chosen route I’m sure a bottle of bourbon a day would have done the trick.

A few days after I arrived here I started on learning Greek again as this seemed ‘safe’. A few days after that I spoke to a neighbour, Anna, and as usual said (in Greek) that I must learn more Greek. She asked me when, the implication being that over the last 7 years I haven’t really been trying. I began to ask her for phrases in Greek and I learned them. She handed over some sheets of 48 verbs written out in phonetic English in their present, past and future forms (which she had given to our other neighbour a Belgian called Jean-Pierre). I began learning these parrot fashion while I was walking. Later, in another conversation, Jean-Pierre suggested we have lessons with Anna. I got these started while also getting Anna to write out these verbs in Greek, which I can read and write at about the level of a 7 year old. On the second lesson she tested me on most of the verbs and I could speak and write over 90% of them. I am even managing to get there with the emphasis that is so important in Greek. Of course there have been downsides. I really shouldn’t have ventured into ‘yineka moo pethane’ or ‘entero carkinos’.

Now, I guess, to the writing, which is why most of you are here. I don’t have writer’s block as you can see by the above and as I know by some work I did after Caroline’s death. However the mental investment in such a creative activity is much higher than that involved in learning a language (I’ll add here that learning a language is best done by the kind of parroting that seems lacking in present day classrooms, and involves little in the way of creative thought). To write with any effectiveness requires an honesty that scrapes at the sore points in your mind, while you also have to care about your fictional characters and situations. I’m finding it difficult to care and of course I don’t want to go prodding those sore points. However, I will be getting back to it (this long post is one indicator) and since it is mostly editing I have to do that should ease me into the process.

I’ll be back, as one of my favourite film characters said.      

Writing Update

On my last writing update I prefaced the post with an apology for my absence and here must do so again. I’ve got some horrible stuff going on in my life at the moment that’s put me severely out of kilter, and I can’t say much more about it than that. These particularly shitty events are also why you won’t be seeing a video clip from me answering your questions for … well, until I’m ready.
So back to the writing. The above has slowed me down quite a bit but I have now managed to work my way backward through all the Penny Royal books. To re-iterate: I read a book backwards a paragraph at a time (not a word at a time!) so I don’t get involved in the story and am more likely to pick up errors (and it’s incredibly boring). While doing this I also made 26 notes on stuff I needed to go back to. I’m now working my way through those.
And now, as in that other ‘writing update’ I’m going to insert picture that has nothing to do with the subject of the post. Here is an image from the new Jon Sullivan cover for The Engineer ReConditioned. A cover so good, incidentally, that the publisher Jon Betancourt of Wildside Press, might be issuing a special trade paperback to celebrate it.
Each note on the Penny Royal books has required me following plot threads that have sometimes extended across all three books, or sometimes across the three books just focusing on one item. Take for example note 2: Consistency in the kind of space suits they are wearing. I’ve had to make sure my characters are wearing the right suits, whether they are ones with collapsible helmets or ones that can be removed, visors that slide into the helmets or down into the neck rings, shimmershield visors, suits that are motorised or not etc. Other notes have required me writing additional sections. The note I’ve been working on today has required me writing one additional section concerning the theft of three runcibles, extending a couple of other sections, and now going through the rest of the books to make things match up with what has happened in the new stuff.   
Once I’ve got all these notes sorted out I then have to get onto the editorial notes that Bella Pagan has given me for the first book. I’ve no doubt that when I get into that it will create further work in the ensuing books! It’s been an interesting experience writing the books as a bloc like this and it makes me wonder how the hell the Cormac series managed to mesh together so well.
Now onto the names of things: I think we have now settled on the series being called Transformations I, II & III. The first book will (don’t hold me to this) be called Dark Intelligence … beyond that things are still a little up in the air. Plenty of time to get that sorted out.

Writing Update

Okay, it’s time for me to get back into some blogging. Sorry for the absence but shit has been happening and I just haven’t felt in the mood to apply myself to anything more than a few snarky lines on Twitter. I have, however, been steadily working my way backwards through the Penny Royal books, picking up mistakes and making notes on some changes I need to make throughout the trilogy. Currently I’m working backwards through book III.
I’ve had an interesting discussion about these books with Bella at Tor. While those of you who have read my books will know who and what Penny Royal is, others might wonder if the three books are about a character from the Herb Garden and ‘a very friendly lion called Parsley’ might be involved. So, in this respect I need to think a bit more about the titles. As I wrote the books they were simply called Penny Royal I, II & III, they then transformed into the Penny Royal trilogywith the titles Isobel, Room 101 & Spear and Spine. I’m now thinking more in terms of the new reader walking into a shop and seeing them on the shelf. Perhaps the overall title of the trilogy should be The Dark AI or, perhaps even better and more accessible: The Dark Intelligence.
Here’s a picture just to break up the text. Nothing to do with what I’ve written here (it’s the Brass Man cover picture) but we don’t need much of a reason to look at Jon Sullivan’s work:
I’m still not sure about the titles of the individual books, however. The first one does mainly focus on the story of a character called Isobel Satomi, but is the title Isobel going to make someone pick up the book? Perhaps something more thematic like Transformations which are also integral to the book? Um, don’t know. This is still something I have to think on. Maybe the second book, to be more specific, I’ll call Factory Station Room 101. Anyway, it’s all going to require a bit more thought.
And now, on a final note: I must do some more video clips. So, if you have questions then please stick them in the comments below this post. You don’t necessarily have to stick to science fiction. And, if I don’t like your question, I’ll either ignore it or give a fatuous answer.

Books and Trips

New arrival from Macmillan yesterday, and very nice they look too. Don’t forget that Jupiter War is available on the 26th. I see that it’s already being well pre-ordered and that the kindle version is at number2 on New & Future Releases (science fiction) on Amazon (that bugger Reynolds having the number one spot).
  

Since we’re heading away for a few days I was trying to decide whether or not to take a laptop so I can carry on working, but decided just to take my Ipad and the printed version of Penny Royal I: Isobel. This is just blurred enough…
Right, off to Colchester today where Caroline is going to get some Peter Robinson books signed – he’s doing a signing of his new book Children of the Revolution in Waterstones.

After that we head for Ipswich where Caroline is being admitted to the hospital for surgery, but that’s not something I want to go on about here.

Writing Update

Right, good stuff: I’ve edited my way through the three books while turning chapter notes into synopses along the way. As I have mentioned before I can firmly say that the books are called Penny Royal I: Isobel, Penny Royal II: Room 101 and Penny Royal III: Spear & Spine. Next I’m going to focus on Isobel and do further editing, first working my way backwards through it: I read a paragraph at a time from the end of the book, which keeps me from getting involved in the story and enables me to pick up more errors. I’ll also write a selection of cover blurbs for it. I want to get this book sorted because I promised it to Macmillan in September. After that I’ll do the just same with the other two books, and they’ll probably be ready to send off over the ensuing couple of months. What next?
While writing these books I extracted a whole plot thread concerning a character called Tuppence, his sidekick troodon dinosaur (who used to be an exotic dancer) and a being called ‘the client’. This I then turned into a novella I sold to Asimov’s called The Other Gun and which was published in the April/May issue of that magazine this year.

When I removed the Tuppence thread I also removed a thread about another character called Dr Whip (and no, he’s not into SM). I in fact dumped both threads into one file before later separating them. So next it will be time to get to work on the story of Dr Whip, a man who has been radically altered by Penny Royal. I’m looking forward to letting myself go with that once I’ve finished all the drudge work on the three books above.

Waffleblog

Right, I just managed to do my 2,000 words. This was after drinking far too much red wine last night, which resulted in me waking up at 3.30 in the morning and only dozing intermittently thereafter. And this was after I’d deleted some drunken tweets from the night before and while our house was overrun with plumbers – doors open, central heating off, electric fire just managing to stave off the cold. I’m not sure they’re very good words, but they’re down now and I can knock them into a shape another time. I then felt I should do a blog post and asked for suggestions on a subject. These included: hovering robotic coffee cups, steampunk prador, xenobiology and neural warfare.
Nah, as I noted on Twitter, I have a dead pigeon in my mental reservoir.
So I’m just waffling to see what surfaces (hopefully not the pigeon). Some bright spark suggested I do a post about Margaret Thatcher but, just like some of my old posts on Global Warming, I suspect that’d go down as well as bacon sandwiches in a Mosque. People’s opinions on both subjects have petrified and long since moved into the territory of confirmation bias. I have to wonder how much spittle is being wiped off computer screens lately.
More about the Night Shade Books thing perhaps? All you need to know is that I’ll be signing up for the new contract and crossing my fingers. I haven’t got the time to be too paranoid about books I wrote years ago because I’ve got books to write. And as for another idea I’ve been toying with – of all that’s been involved in getting my books published in the US – that I’ve promised elsewhere.
A book review perhaps? Well, I’ve just started Peter Hamilton’s Great North Road so there won’t be any reviews here for a while. Enjoying it btw, and was amused to see a character in there who works in publicity at Macmillan.
No, I’ll go back to those 2,000 words even though it’s territory I’ve visited before.
It’s not actually 2,000 words in total but of fiction. In reality, after I get up in the morning I first fill in a page in my journal so that’s about 200 words. This is sometimes quite difficult as you would expect in extending ‘got up, pissed about on the internet, wrote 2,000 words, ate stuff, went to bed’ to fill a page. Then there are the tweets, occasional blog posts and stuff on Facebook. I kid myself that this is all justifiable advertising and that writing on twitter is a good exercise in précis, but I just enjoy that shit. So, as I alternately muck about on the internet and write, I normally do my 2,000 words of fiction by about 3 or 4. On those occasions when things are going a bit slow the count might be 1,000 to 1,300 at that time, and by then and I’m thinking to myself I’m not going to hit my target. At 4 we have a dance to the Wii because the glamorous life of a writer is sadly lacking in exercise. After 4 I then usually polish off any remainder within an hour. Don’t ask me why. The workings of my brain are a mystery.  
 But next week things will change because we’re heading back to Crete. There, without an internet connection, I open up my laptop and have few alternatives but to write. There, because hell it’s sunny and I want to get outside, I usually polish off my word count by about 2. This year it’ll be the same for a few weeks as I complete the first draft of Penny Royal III, then I’m going to spend plenty of time editing and generally tidying up those three books, also writing synopses and blurbs. I look forward to the time, after that, when I can sit down and work on some short stories.
So, how do I end this? I know…
That’s all for now.

My Tuppence-Worth on Night Shade Books

While I meticulously study contracts I see that the whole Night Shade Books debacle is being written about all across the internet. I won’t provide links here – just go to Google Blog Search and get up-to-date posts on Night Shade Books. There’s some insightful stuff available; there’s some bitter stuff out there too.

The essence is this: NSB is on the point of bankruptcy so is selling assets to a publisher called Skyhorse Publishing and another called Start Publishing (ebooks for the latter). The apparent aim of this on the part of Jeremy Lassen and Jason Williams is to ensure that authors can be paid what they are owed. The crux of the matter is that those ‘assets’ are the rights to those same author’s books. It means, for the sale to go through, that the authors must agree to changes to their NSB contracts as they are taken up by the other companies.
The authors are in a cleft stick.
If they don’t sign up to this they risk losing the royalties they are owed and the books dropping into legal oblivion (scare tactics?). If they do sign they get reduced royalties.
Ebook royalties are chopped in half. However, a read somewhere of writers supposedly having to sign over Ebook rights they never sold to NSB. Well, the contract I’m looking at doesn’t say that. It should also be noted that NSB were paying twice ‘industry standard’.
Skyhorse is claiming audio rights even if they weren’t sold … again at ‘industry standard’.
My main bone of contention concerns this 10% of net receipts. Here’s my contractual bit with NSB:
8% on the first 50,000 copies, 10% on 50,001-100,000 copies, and 12% over that, of the retail price of all MASS MARKET PAPERBACK copies sold.
 Note that ‘retail price’. Publishers sell books to booksellers at half and sometimes 40% of cover price. Going with half this would mean on a $10 book, and supposing I wasn’t over that 50,000, I would be taking a cut in income per book from $0.80 to $0.50.  
But at this point it is worth noting that if you’re not being paid, then percentages are irrelevant.

The whole thing is a bit of a bastard and the decisions of the individual authors concerned will be based on a number of things: how many books they have with NSB (and whether they have books with other publishers), how much NSB owes them, what they think their future earnings might be from the NSB books, how much financial pain they are in …etc. It’s not easy. I really feel sorry for those authors who have one or two books ONLY with NSB. It’s probably heartbreaking.
In my case it’s five books. However, the Owner series – The Departure, Zero Point & Jupiter War – were sold to them by Macmillan who aren’t exactly lightweights. I’m confident that Macmillan will have their contracts department scrutinizing the deal very closely. But personally, at the request of NSB, I wrote Prador Moon & Shadow of the Scorpion for them and sold them the American rights, and it is for these books I must sign up to the contract changes, or not.

I’m not a one-book wonder. The two books are two, thus far, of the twenty books I’ve had published. I have Jupiter War yet to be published and as you know I’m close to finishing the third Penny Royal book, so after JW I’ll have another three in the bank. And, because I keep producing books and keep getting published I’ve been doing okay, which is why I never lawyered up and went after NSB. As a consequence they owe me a shitload of money. I might decide to sign up so that I get that money, and consider those other two books loss-leaders – in America, since they are still published here in Britain and in translation. I’m certainly going to push for some changes to that contract. Or I might just say fuck it, shove your contract.  
I’m still undecided.

Update:

Jarred and I have been listening to and thinking through what the Night Shade authors and agents have said on blogs, on facebook, over email, and during several very long phone conversations. Skyhorse and Start now have a much more complete picture of what the Night Shade authors been through and it’s helped us to understand the reaction that many of them have had to the deal as offered. Both Jarred and I have decided to make a strong attempt to see this deal through. We’ve decided to take the long view, the view that what we want to do is build a publishing company, build on the Night Shade backlist, and we’re willing to offer a deal that we feel is very favorable to the Night Shade authors and will trade short run profits for long-term relationship. Here are the revised terms:
7 1/2 % of retail for all printing books.
25% of net receipts on all ebooks up to 15,000 copies sold and 30% thereafter
50/50 on audio, with a reversion if we don’t sell the rights in six months. Audio rights money to flow through within 30 days of receipt of payment, provided that the advance has earned out.
The assignment clause, clause 7, would only apply if the assignment is part of a sale of “all or substantially all of the assets of the company” purchased by either Start Publishing or Skyhorse Publishing.

Update: Posted Books & Writing

Nice to see that the books I’ve been posting off are arriving safely:
It’s also nice to see the shelves up in my loft steadily emptying. Those books weren’t doing anyone any good sitting up there. Hopefully I’ll get to the stage where I’m only sending off new books. However, I still have plenty of foreign editions I’ve no idea what the hell to do with. Many German readers out there? Because I’ve got a couple of boxes of the things – can’t remember which ones they are right now. If you haven’t received your books yet I shouldn’t worry too much. I’ve never actually posted any off and have them not arrive. Also, if you’ve chosen ‘overland postage’ remember that can take as much as 6 weeks if you’re somewhere like America. If anyone wants any more they’ll find a price list further down this blog, though of course some are missing from that list. Get in contact at the email below my bio on the right here and I’ll let you know if I have what you’re after.

The writing is going well. Penny Royal I (which may be called ‘Isobel’) and II are finished to first draft while Penny Royal III is past 100,000 words. Yesterday my 2,000 words were written in the first of these. It was a sex scene. I didn’t do it for the gratuitous porn but because I’m taking more time now with character development and personal interactions. One fault to my writing is supposedly that my characters can be a bit cardboard, so I’m working on that. I’m also concentrating on more visceral/emotional reactions from my characters, more detail on aug communications and how that would change people’s behaviour, more on the nanosuites Polity citizens have running inside their bodies and how they’re used, and of course generally tightening up the plot. As I have pointed out before: the moment I think I’ve got nothing more to learn is really the moment I should quit.   

On Writing – Writer's Group

I got an invite to a local writer’s group a few weeks back and, since it was local, in fact in a pub I used to frequent over many years, I thought, ‘why not?’ though I added the proviso that I’d just go along for a chat and wouldn’t be giving a talk or reading. It all seemed to go pretty well and hopefully I said some stuff they found interesting. I also took along some professionally edited sheets from Zero Point for them to have a look at – the kind of stuff I would have killed for many years ago. Interestingly, they had a session of writing, whereby someone provided a sentence or line and everyone keyed off that for ten minutes. A sheet of paper was pushed my way and I considered running at that point, but then I told myself not to be such a wimp.

The line was, ‘I never suffer from writer’s block, but…’ and here’s my contribution:
I never suffer from writer’s block but, when asked by this writer’s group to produce, on the spot, I felt my sphincter tightening to the diameter of a needle’s eye. However, not to be beaten, I’ll waffle on about anything relevant. Too many years ago to count I wrote an article called ‘Beating the Block’. This concerned stream-of-consciousness writing, whereby you write just anything as it comes into your head. You don’t agonize over how much sense it makes or how correct is your English. You just write. The tangled bats were falling from the sky and forming drifts beside the sapphire roads etc. Ad nauseum. Eventually some sort of sense might arise out of this but it doesn’t matter – you’re no longer staring at a blank page. Moving on… One of the biggest causes of writer’s block is the angst about what to write and how to write, which in a way is daft with the editing tools now available. It’s not as if we’re working straight to a typewriter. Typex is no longer required. We have find-and-replace and in the end the ‘delete’ button is always available.  
This is as it came and certainly, as I just typed it here, I had to resist the urge to edit. I’d perhaps use ‘size of a needle’s eye’, since a needle’s eye isn’t circular. I’d add more about what you ignore when doing a stream-of-consciousness piece and I would have done a longer piece. I would have added more about the fear of getting it wrong being the cause of writer’s block and more about why that’s irrelevant now and, in fact, always has been irrelevant. Editing, even before we began working on computers, included a waste paper bin.
Anyway, this seems a good exercise to try if you have your own writer’s group, and in fact it might be something worth trying by yourself. Ask someone else to provide that line, or maybe even pick it at random from a book, and just write for ten minutes. Maybe those of you over here on the forum – the writer’s workshop – could try something?     

Books, Update, Stuff…

Well the book sale went well. I’ve been packaging up books for the last couple of days and clearing a bit of space in my loft. The problem of course is that few people want the older cover Macmillan paperbacks that come later in the Cormac series. I’ve got plenty of copies of Brass Man, Polity Agent and Line War. I also have paperback editions of the Tor US releases. But then I guess the problem here is no one knows what is available. I guess I’ll have to go up into my loft again *sigh*.
Another thing I always forget to do is mention the translations. I’ve got a bookcase up there full of them. So, if you read German (plenty of those), Czech, Romanian, Russian, French, Japanese (just a few copies of Cowl) or Portuguese (and I’m sure there are others) and fancy buying a copy in those languages, then get in touch.
I was thinking back today about my first few books for Macmillan and how I was forever checking my Amazon ratings (well, that hasn’t changed) to check on my ‘success’. But of course a little thought about how people actually buy books and you realise that these things cannot be judged by those initial sales; that initial adrenalin rush when you are the new bright young writer (ho ho). People very infrequently walk into a book shop and pick up a hardback from a new writer; they tend to wander in a year later, perhaps five or ten years later and try a paperback. Hell, I’m only just starting to read Eric Brown and he’s done about 30 books since I read his short story Time Lapsed Man in Interzone back in 1988. It’s a long haul. Still, now, I get contact from people who have just discovered me, who have picked up a discounted paperback (or Kindle edition) and are going on to buy the rest.  
Moving on to other things: I was aiming to have done 80,000 words of Penny Royal III before we headed back to Crete. Since I’ve now done 77,000 it seems I’ll be hitting that target. Now I’m wondering if I can get it completed to first draft by then, which gives me plenty of time to iron out the kinks, and ensure all the plot threads are nicely woven together. However, another thought is now occurring … am I going to be able to complete this story in this third book? Could it be that this will be a trilogy (as per Douglas Adams) of four or five books?